BEGIN:VCALENDAR
VERSION:2.0
PRODID:icalendar-ruby
CALSCALE:GREGORIAN
X-WR-CALNAME:Exhibition: Agree to Disagree: 2015 Studio Art MFA Thesis Exhi
 bition
X-WR-TIMEZONE:Central Time (US & Canada)
BEGIN:VEVENT
DTSTAMP:20260906T113119Z
UID:tag:localist.com\,2008:EventInstance_1216524
DTSTART;VALUE=DATE:20150417
DESCRIPTION:The culmination of an intensive three-year program of work\, AG
 REE TO DISAGREE features artworks made in a variety of media including dra
 wing\, painting\, print\, photography\, installation\, and video. These se
 ven artists use their work to explore the world around them — to connect
 \, describe\, communicate\, and question. Their works explore a diversity 
 of themes including awesome scale\, the psychology of games\, our culture
 ’s secret messages to young girls\, a human reinterpretation of the digi
 tal\, the legibility of abstraction and even…cybernetics.\n\nExhibiting 
 Artists\n\nPeter Abrami (Florida) paints colorful abstract paintings that 
 teeter on the edge of anthropomorphism. A single form—is it emblem or su
 bject?—flips between formalism and character atop each painting’s colo
 rful matte ground.\n\nGeorgia Carter (Texas) creates enormous drawings by 
 “impersonating” an inkjet printer\, starting at the top left\, careful
 ly moving to top right and so on\, back and forth down the paper. The resu
 lting image only grudgingly reveals its digital source material\, resultin
 g in drawings that are soft and enveloping.\n\nLeah Dyjak (Massachusetts) 
 applies the logic of archaeology against the idiosyncrasies of personality
  to understand the mysterious actions of an eccentric. The precision of he
 r luscious photographic imagery reveals a depth of beauty that coexists be
 side the unknowable.\n\nNick Francel (Missouri) invents stylized cartoony 
 characters that exist in an immersive built environment into which the vie
 wer can step. Upon entering his “game board” room\, the viewer encount
 ers game-piece characters\, menacing trees and other clues. The game’s p
 ast and future narrative are represented in images on the room’s exterio
 r walls.\n\nAaron Meyers (Pennsylvania) builds an architectural installati
 on in which his to-scale fragment of the French visionary architect\, Éti
 enne-Louis Boullée’s Cenotaph for Sir Isaac Newton\, creates a mash-up 
 intersection with the VAC. Raised to the same level of grandeur and paired
  with the fragment is a rodent exercise wheel. His attention to detail all
 ows the viewer\, mouse or human\, a glimpse of the infinite.\n\nLaurel She
 ar (California) paints with body-sized gestures a series of abstract and f
 igurative paintings. The figures\, gleaned from Disney’s representations
  of princess/brides\, allude to the stream of propaganda manufactured for 
 the exclusive ingestion of little girls. Her combination of beguiling and 
 repulsive images and color make for a rich\, complex read.\n\nRyan White (
 California) creates a body of work that coincides with auditing sessions h
 e has received at the Church of Scientology. The paintings are abstraction
 s of the reactive mind. The artist makes these paintings before and after 
 his auditing sessions.\n\nAssociated Programs\n\nStudio Art MFA Thesis Exh
 ibition Colloquium\nMonday\, May 4 and Wednesday\, May 6 • 6:30pm
GEO:30.286256;-97.732996
LOCATION:Visual Arts Center\, Art Building (ART)
SUMMARY:Exhibition: Agree to Disagree: 2015 Studio Art MFA Thesis Exhibitio
 n
URL;VALUE=URI:https://calendar.utexas.edu/event/exhibition_agree_to_disagre
 e_2015_studio_art_mfa_thesis_exhibition
CATEGORIES:Arts & Humanities
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260906T113119Z
UID:tag:localist.com\,2008:EventInstance_1216525
DTSTART;VALUE=DATE:20150418
DESCRIPTION:The culmination of an intensive three-year program of work\, AG
 REE TO DISAGREE features artworks made in a variety of media including dra
 wing\, painting\, print\, photography\, installation\, and video. These se
 ven artists use their work to explore the world around them — to connect
 \, describe\, communicate\, and question. Their works explore a diversity 
 of themes including awesome scale\, the psychology of games\, our culture
 ’s secret messages to young girls\, a human reinterpretation of the digi
 tal\, the legibility of abstraction and even…cybernetics.\n\nExhibiting 
 Artists\n\nPeter Abrami (Florida) paints colorful abstract paintings that 
 teeter on the edge of anthropomorphism. A single form—is it emblem or su
 bject?—flips between formalism and character atop each painting’s colo
 rful matte ground.\n\nGeorgia Carter (Texas) creates enormous drawings by 
 “impersonating” an inkjet printer\, starting at the top left\, careful
 ly moving to top right and so on\, back and forth down the paper. The resu
 lting image only grudgingly reveals its digital source material\, resultin
 g in drawings that are soft and enveloping.\n\nLeah Dyjak (Massachusetts) 
 applies the logic of archaeology against the idiosyncrasies of personality
  to understand the mysterious actions of an eccentric. The precision of he
 r luscious photographic imagery reveals a depth of beauty that coexists be
 side the unknowable.\n\nNick Francel (Missouri) invents stylized cartoony 
 characters that exist in an immersive built environment into which the vie
 wer can step. Upon entering his “game board” room\, the viewer encount
 ers game-piece characters\, menacing trees and other clues. The game’s p
 ast and future narrative are represented in images on the room’s exterio
 r walls.\n\nAaron Meyers (Pennsylvania) builds an architectural installati
 on in which his to-scale fragment of the French visionary architect\, Éti
 enne-Louis Boullée’s Cenotaph for Sir Isaac Newton\, creates a mash-up 
 intersection with the VAC. Raised to the same level of grandeur and paired
  with the fragment is a rodent exercise wheel. His attention to detail all
 ows the viewer\, mouse or human\, a glimpse of the infinite.\n\nLaurel She
 ar (California) paints with body-sized gestures a series of abstract and f
 igurative paintings. The figures\, gleaned from Disney’s representations
  of princess/brides\, allude to the stream of propaganda manufactured for 
 the exclusive ingestion of little girls. Her combination of beguiling and 
 repulsive images and color make for a rich\, complex read.\n\nRyan White (
 California) creates a body of work that coincides with auditing sessions h
 e has received at the Church of Scientology. The paintings are abstraction
 s of the reactive mind. The artist makes these paintings before and after 
 his auditing sessions.\n\nAssociated Programs\n\nStudio Art MFA Thesis Exh
 ibition Colloquium\nMonday\, May 4 and Wednesday\, May 6 • 6:30pm
GEO:30.286256;-97.732996
LOCATION:Visual Arts Center\, Art Building (ART)
SUMMARY:Exhibition: Agree to Disagree: 2015 Studio Art MFA Thesis Exhibitio
 n
URL;VALUE=URI:https://calendar.utexas.edu/event/exhibition_agree_to_disagre
 e_2015_studio_art_mfa_thesis_exhibition
CATEGORIES:Arts & Humanities
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260906T113119Z
UID:tag:localist.com\,2008:EventInstance_1216526
DTSTART;VALUE=DATE:20150421
DESCRIPTION:The culmination of an intensive three-year program of work\, AG
 REE TO DISAGREE features artworks made in a variety of media including dra
 wing\, painting\, print\, photography\, installation\, and video. These se
 ven artists use their work to explore the world around them — to connect
 \, describe\, communicate\, and question. Their works explore a diversity 
 of themes including awesome scale\, the psychology of games\, our culture
 ’s secret messages to young girls\, a human reinterpretation of the digi
 tal\, the legibility of abstraction and even…cybernetics.\n\nExhibiting 
 Artists\n\nPeter Abrami (Florida) paints colorful abstract paintings that 
 teeter on the edge of anthropomorphism. A single form—is it emblem or su
 bject?—flips between formalism and character atop each painting’s colo
 rful matte ground.\n\nGeorgia Carter (Texas) creates enormous drawings by 
 “impersonating” an inkjet printer\, starting at the top left\, careful
 ly moving to top right and so on\, back and forth down the paper. The resu
 lting image only grudgingly reveals its digital source material\, resultin
 g in drawings that are soft and enveloping.\n\nLeah Dyjak (Massachusetts) 
 applies the logic of archaeology against the idiosyncrasies of personality
  to understand the mysterious actions of an eccentric. The precision of he
 r luscious photographic imagery reveals a depth of beauty that coexists be
 side the unknowable.\n\nNick Francel (Missouri) invents stylized cartoony 
 characters that exist in an immersive built environment into which the vie
 wer can step. Upon entering his “game board” room\, the viewer encount
 ers game-piece characters\, menacing trees and other clues. The game’s p
 ast and future narrative are represented in images on the room’s exterio
 r walls.\n\nAaron Meyers (Pennsylvania) builds an architectural installati
 on in which his to-scale fragment of the French visionary architect\, Éti
 enne-Louis Boullée’s Cenotaph for Sir Isaac Newton\, creates a mash-up 
 intersection with the VAC. Raised to the same level of grandeur and paired
  with the fragment is a rodent exercise wheel. His attention to detail all
 ows the viewer\, mouse or human\, a glimpse of the infinite.\n\nLaurel She
 ar (California) paints with body-sized gestures a series of abstract and f
 igurative paintings. The figures\, gleaned from Disney’s representations
  of princess/brides\, allude to the stream of propaganda manufactured for 
 the exclusive ingestion of little girls. Her combination of beguiling and 
 repulsive images and color make for a rich\, complex read.\n\nRyan White (
 California) creates a body of work that coincides with auditing sessions h
 e has received at the Church of Scientology. The paintings are abstraction
 s of the reactive mind. The artist makes these paintings before and after 
 his auditing sessions.\n\nAssociated Programs\n\nStudio Art MFA Thesis Exh
 ibition Colloquium\nMonday\, May 4 and Wednesday\, May 6 • 6:30pm
GEO:30.286256;-97.732996
LOCATION:Visual Arts Center\, Art Building (ART)
SUMMARY:Exhibition: Agree to Disagree: 2015 Studio Art MFA Thesis Exhibitio
 n
URL;VALUE=URI:https://calendar.utexas.edu/event/exhibition_agree_to_disagre
 e_2015_studio_art_mfa_thesis_exhibition
CATEGORIES:Arts & Humanities
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260906T113119Z
UID:tag:localist.com\,2008:EventInstance_1216527
DTSTART;VALUE=DATE:20150422
DESCRIPTION:The culmination of an intensive three-year program of work\, AG
 REE TO DISAGREE features artworks made in a variety of media including dra
 wing\, painting\, print\, photography\, installation\, and video. These se
 ven artists use their work to explore the world around them — to connect
 \, describe\, communicate\, and question. Their works explore a diversity 
 of themes including awesome scale\, the psychology of games\, our culture
 ’s secret messages to young girls\, a human reinterpretation of the digi
 tal\, the legibility of abstraction and even…cybernetics.\n\nExhibiting 
 Artists\n\nPeter Abrami (Florida) paints colorful abstract paintings that 
 teeter on the edge of anthropomorphism. A single form—is it emblem or su
 bject?—flips between formalism and character atop each painting’s colo
 rful matte ground.\n\nGeorgia Carter (Texas) creates enormous drawings by 
 “impersonating” an inkjet printer\, starting at the top left\, careful
 ly moving to top right and so on\, back and forth down the paper. The resu
 lting image only grudgingly reveals its digital source material\, resultin
 g in drawings that are soft and enveloping.\n\nLeah Dyjak (Massachusetts) 
 applies the logic of archaeology against the idiosyncrasies of personality
  to understand the mysterious actions of an eccentric. The precision of he
 r luscious photographic imagery reveals a depth of beauty that coexists be
 side the unknowable.\n\nNick Francel (Missouri) invents stylized cartoony 
 characters that exist in an immersive built environment into which the vie
 wer can step. Upon entering his “game board” room\, the viewer encount
 ers game-piece characters\, menacing trees and other clues. The game’s p
 ast and future narrative are represented in images on the room’s exterio
 r walls.\n\nAaron Meyers (Pennsylvania) builds an architectural installati
 on in which his to-scale fragment of the French visionary architect\, Éti
 enne-Louis Boullée’s Cenotaph for Sir Isaac Newton\, creates a mash-up 
 intersection with the VAC. Raised to the same level of grandeur and paired
  with the fragment is a rodent exercise wheel. His attention to detail all
 ows the viewer\, mouse or human\, a glimpse of the infinite.\n\nLaurel She
 ar (California) paints with body-sized gestures a series of abstract and f
 igurative paintings. The figures\, gleaned from Disney’s representations
  of princess/brides\, allude to the stream of propaganda manufactured for 
 the exclusive ingestion of little girls. Her combination of beguiling and 
 repulsive images and color make for a rich\, complex read.\n\nRyan White (
 California) creates a body of work that coincides with auditing sessions h
 e has received at the Church of Scientology. The paintings are abstraction
 s of the reactive mind. The artist makes these paintings before and after 
 his auditing sessions.\n\nAssociated Programs\n\nStudio Art MFA Thesis Exh
 ibition Colloquium\nMonday\, May 4 and Wednesday\, May 6 • 6:30pm
GEO:30.286256;-97.732996
LOCATION:Visual Arts Center\, Art Building (ART)
SUMMARY:Exhibition: Agree to Disagree: 2015 Studio Art MFA Thesis Exhibitio
 n
URL;VALUE=URI:https://calendar.utexas.edu/event/exhibition_agree_to_disagre
 e_2015_studio_art_mfa_thesis_exhibition
CATEGORIES:Arts & Humanities
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260906T113119Z
UID:tag:localist.com\,2008:EventInstance_1216528
DTSTART;VALUE=DATE:20150423
DESCRIPTION:The culmination of an intensive three-year program of work\, AG
 REE TO DISAGREE features artworks made in a variety of media including dra
 wing\, painting\, print\, photography\, installation\, and video. These se
 ven artists use their work to explore the world around them — to connect
 \, describe\, communicate\, and question. Their works explore a diversity 
 of themes including awesome scale\, the psychology of games\, our culture
 ’s secret messages to young girls\, a human reinterpretation of the digi
 tal\, the legibility of abstraction and even…cybernetics.\n\nExhibiting 
 Artists\n\nPeter Abrami (Florida) paints colorful abstract paintings that 
 teeter on the edge of anthropomorphism. A single form—is it emblem or su
 bject?—flips between formalism and character atop each painting’s colo
 rful matte ground.\n\nGeorgia Carter (Texas) creates enormous drawings by 
 “impersonating” an inkjet printer\, starting at the top left\, careful
 ly moving to top right and so on\, back and forth down the paper. The resu
 lting image only grudgingly reveals its digital source material\, resultin
 g in drawings that are soft and enveloping.\n\nLeah Dyjak (Massachusetts) 
 applies the logic of archaeology against the idiosyncrasies of personality
  to understand the mysterious actions of an eccentric. The precision of he
 r luscious photographic imagery reveals a depth of beauty that coexists be
 side the unknowable.\n\nNick Francel (Missouri) invents stylized cartoony 
 characters that exist in an immersive built environment into which the vie
 wer can step. Upon entering his “game board” room\, the viewer encount
 ers game-piece characters\, menacing trees and other clues. The game’s p
 ast and future narrative are represented in images on the room’s exterio
 r walls.\n\nAaron Meyers (Pennsylvania) builds an architectural installati
 on in which his to-scale fragment of the French visionary architect\, Éti
 enne-Louis Boullée’s Cenotaph for Sir Isaac Newton\, creates a mash-up 
 intersection with the VAC. Raised to the same level of grandeur and paired
  with the fragment is a rodent exercise wheel. His attention to detail all
 ows the viewer\, mouse or human\, a glimpse of the infinite.\n\nLaurel She
 ar (California) paints with body-sized gestures a series of abstract and f
 igurative paintings. The figures\, gleaned from Disney’s representations
  of princess/brides\, allude to the stream of propaganda manufactured for 
 the exclusive ingestion of little girls. Her combination of beguiling and 
 repulsive images and color make for a rich\, complex read.\n\nRyan White (
 California) creates a body of work that coincides with auditing sessions h
 e has received at the Church of Scientology. The paintings are abstraction
 s of the reactive mind. The artist makes these paintings before and after 
 his auditing sessions.\n\nAssociated Programs\n\nStudio Art MFA Thesis Exh
 ibition Colloquium\nMonday\, May 4 and Wednesday\, May 6 • 6:30pm
GEO:30.286256;-97.732996
LOCATION:Visual Arts Center\, Art Building (ART)
SUMMARY:Exhibition: Agree to Disagree: 2015 Studio Art MFA Thesis Exhibitio
 n
URL;VALUE=URI:https://calendar.utexas.edu/event/exhibition_agree_to_disagre
 e_2015_studio_art_mfa_thesis_exhibition
CATEGORIES:Arts & Humanities
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260906T113119Z
UID:tag:localist.com\,2008:EventInstance_1216529
DTSTART;VALUE=DATE:20150424
DESCRIPTION:The culmination of an intensive three-year program of work\, AG
 REE TO DISAGREE features artworks made in a variety of media including dra
 wing\, painting\, print\, photography\, installation\, and video. These se
 ven artists use their work to explore the world around them — to connect
 \, describe\, communicate\, and question. Their works explore a diversity 
 of themes including awesome scale\, the psychology of games\, our culture
 ’s secret messages to young girls\, a human reinterpretation of the digi
 tal\, the legibility of abstraction and even…cybernetics.\n\nExhibiting 
 Artists\n\nPeter Abrami (Florida) paints colorful abstract paintings that 
 teeter on the edge of anthropomorphism. A single form—is it emblem or su
 bject?—flips between formalism and character atop each painting’s colo
 rful matte ground.\n\nGeorgia Carter (Texas) creates enormous drawings by 
 “impersonating” an inkjet printer\, starting at the top left\, careful
 ly moving to top right and so on\, back and forth down the paper. The resu
 lting image only grudgingly reveals its digital source material\, resultin
 g in drawings that are soft and enveloping.\n\nLeah Dyjak (Massachusetts) 
 applies the logic of archaeology against the idiosyncrasies of personality
  to understand the mysterious actions of an eccentric. The precision of he
 r luscious photographic imagery reveals a depth of beauty that coexists be
 side the unknowable.\n\nNick Francel (Missouri) invents stylized cartoony 
 characters that exist in an immersive built environment into which the vie
 wer can step. Upon entering his “game board” room\, the viewer encount
 ers game-piece characters\, menacing trees and other clues. The game’s p
 ast and future narrative are represented in images on the room’s exterio
 r walls.\n\nAaron Meyers (Pennsylvania) builds an architectural installati
 on in which his to-scale fragment of the French visionary architect\, Éti
 enne-Louis Boullée’s Cenotaph for Sir Isaac Newton\, creates a mash-up 
 intersection with the VAC. Raised to the same level of grandeur and paired
  with the fragment is a rodent exercise wheel. His attention to detail all
 ows the viewer\, mouse or human\, a glimpse of the infinite.\n\nLaurel She
 ar (California) paints with body-sized gestures a series of abstract and f
 igurative paintings. The figures\, gleaned from Disney’s representations
  of princess/brides\, allude to the stream of propaganda manufactured for 
 the exclusive ingestion of little girls. Her combination of beguiling and 
 repulsive images and color make for a rich\, complex read.\n\nRyan White (
 California) creates a body of work that coincides with auditing sessions h
 e has received at the Church of Scientology. The paintings are abstraction
 s of the reactive mind. The artist makes these paintings before and after 
 his auditing sessions.\n\nAssociated Programs\n\nStudio Art MFA Thesis Exh
 ibition Colloquium\nMonday\, May 4 and Wednesday\, May 6 • 6:30pm
GEO:30.286256;-97.732996
LOCATION:Visual Arts Center\, Art Building (ART)
SUMMARY:Exhibition: Agree to Disagree: 2015 Studio Art MFA Thesis Exhibitio
 n
URL;VALUE=URI:https://calendar.utexas.edu/event/exhibition_agree_to_disagre
 e_2015_studio_art_mfa_thesis_exhibition
CATEGORIES:Arts & Humanities
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260906T113119Z
UID:tag:localist.com\,2008:EventInstance_1216530
DTSTART;VALUE=DATE:20150425
DESCRIPTION:The culmination of an intensive three-year program of work\, AG
 REE TO DISAGREE features artworks made in a variety of media including dra
 wing\, painting\, print\, photography\, installation\, and video. These se
 ven artists use their work to explore the world around them — to connect
 \, describe\, communicate\, and question. Their works explore a diversity 
 of themes including awesome scale\, the psychology of games\, our culture
 ’s secret messages to young girls\, a human reinterpretation of the digi
 tal\, the legibility of abstraction and even…cybernetics.\n\nExhibiting 
 Artists\n\nPeter Abrami (Florida) paints colorful abstract paintings that 
 teeter on the edge of anthropomorphism. A single form—is it emblem or su
 bject?—flips between formalism and character atop each painting’s colo
 rful matte ground.\n\nGeorgia Carter (Texas) creates enormous drawings by 
 “impersonating” an inkjet printer\, starting at the top left\, careful
 ly moving to top right and so on\, back and forth down the paper. The resu
 lting image only grudgingly reveals its digital source material\, resultin
 g in drawings that are soft and enveloping.\n\nLeah Dyjak (Massachusetts) 
 applies the logic of archaeology against the idiosyncrasies of personality
  to understand the mysterious actions of an eccentric. The precision of he
 r luscious photographic imagery reveals a depth of beauty that coexists be
 side the unknowable.\n\nNick Francel (Missouri) invents stylized cartoony 
 characters that exist in an immersive built environment into which the vie
 wer can step. Upon entering his “game board” room\, the viewer encount
 ers game-piece characters\, menacing trees and other clues. The game’s p
 ast and future narrative are represented in images on the room’s exterio
 r walls.\n\nAaron Meyers (Pennsylvania) builds an architectural installati
 on in which his to-scale fragment of the French visionary architect\, Éti
 enne-Louis Boullée’s Cenotaph for Sir Isaac Newton\, creates a mash-up 
 intersection with the VAC. Raised to the same level of grandeur and paired
  with the fragment is a rodent exercise wheel. His attention to detail all
 ows the viewer\, mouse or human\, a glimpse of the infinite.\n\nLaurel She
 ar (California) paints with body-sized gestures a series of abstract and f
 igurative paintings. The figures\, gleaned from Disney’s representations
  of princess/brides\, allude to the stream of propaganda manufactured for 
 the exclusive ingestion of little girls. Her combination of beguiling and 
 repulsive images and color make for a rich\, complex read.\n\nRyan White (
 California) creates a body of work that coincides with auditing sessions h
 e has received at the Church of Scientology. The paintings are abstraction
 s of the reactive mind. The artist makes these paintings before and after 
 his auditing sessions.\n\nAssociated Programs\n\nStudio Art MFA Thesis Exh
 ibition Colloquium\nMonday\, May 4 and Wednesday\, May 6 • 6:30pm
GEO:30.286256;-97.732996
LOCATION:Visual Arts Center\, Art Building (ART)
SUMMARY:Exhibition: Agree to Disagree: 2015 Studio Art MFA Thesis Exhibitio
 n
URL;VALUE=URI:https://calendar.utexas.edu/event/exhibition_agree_to_disagre
 e_2015_studio_art_mfa_thesis_exhibition
CATEGORIES:Arts & Humanities
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260906T113119Z
UID:tag:localist.com\,2008:EventInstance_1216531
DTSTART;VALUE=DATE:20150428
DESCRIPTION:The culmination of an intensive three-year program of work\, AG
 REE TO DISAGREE features artworks made in a variety of media including dra
 wing\, painting\, print\, photography\, installation\, and video. These se
 ven artists use their work to explore the world around them — to connect
 \, describe\, communicate\, and question. Their works explore a diversity 
 of themes including awesome scale\, the psychology of games\, our culture
 ’s secret messages to young girls\, a human reinterpretation of the digi
 tal\, the legibility of abstraction and even…cybernetics.\n\nExhibiting 
 Artists\n\nPeter Abrami (Florida) paints colorful abstract paintings that 
 teeter on the edge of anthropomorphism. A single form—is it emblem or su
 bject?—flips between formalism and character atop each painting’s colo
 rful matte ground.\n\nGeorgia Carter (Texas) creates enormous drawings by 
 “impersonating” an inkjet printer\, starting at the top left\, careful
 ly moving to top right and so on\, back and forth down the paper. The resu
 lting image only grudgingly reveals its digital source material\, resultin
 g in drawings that are soft and enveloping.\n\nLeah Dyjak (Massachusetts) 
 applies the logic of archaeology against the idiosyncrasies of personality
  to understand the mysterious actions of an eccentric. The precision of he
 r luscious photographic imagery reveals a depth of beauty that coexists be
 side the unknowable.\n\nNick Francel (Missouri) invents stylized cartoony 
 characters that exist in an immersive built environment into which the vie
 wer can step. Upon entering his “game board” room\, the viewer encount
 ers game-piece characters\, menacing trees and other clues. The game’s p
 ast and future narrative are represented in images on the room’s exterio
 r walls.\n\nAaron Meyers (Pennsylvania) builds an architectural installati
 on in which his to-scale fragment of the French visionary architect\, Éti
 enne-Louis Boullée’s Cenotaph for Sir Isaac Newton\, creates a mash-up 
 intersection with the VAC. Raised to the same level of grandeur and paired
  with the fragment is a rodent exercise wheel. His attention to detail all
 ows the viewer\, mouse or human\, a glimpse of the infinite.\n\nLaurel She
 ar (California) paints with body-sized gestures a series of abstract and f
 igurative paintings. The figures\, gleaned from Disney’s representations
  of princess/brides\, allude to the stream of propaganda manufactured for 
 the exclusive ingestion of little girls. Her combination of beguiling and 
 repulsive images and color make for a rich\, complex read.\n\nRyan White (
 California) creates a body of work that coincides with auditing sessions h
 e has received at the Church of Scientology. The paintings are abstraction
 s of the reactive mind. The artist makes these paintings before and after 
 his auditing sessions.\n\nAssociated Programs\n\nStudio Art MFA Thesis Exh
 ibition Colloquium\nMonday\, May 4 and Wednesday\, May 6 • 6:30pm
GEO:30.286256;-97.732996
LOCATION:Visual Arts Center\, Art Building (ART)
SUMMARY:Exhibition: Agree to Disagree: 2015 Studio Art MFA Thesis Exhibitio
 n
URL;VALUE=URI:https://calendar.utexas.edu/event/exhibition_agree_to_disagre
 e_2015_studio_art_mfa_thesis_exhibition
CATEGORIES:Arts & Humanities
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260906T113119Z
UID:tag:localist.com\,2008:EventInstance_1216532
DTSTART;VALUE=DATE:20150429
DESCRIPTION:The culmination of an intensive three-year program of work\, AG
 REE TO DISAGREE features artworks made in a variety of media including dra
 wing\, painting\, print\, photography\, installation\, and video. These se
 ven artists use their work to explore the world around them — to connect
 \, describe\, communicate\, and question. Their works explore a diversity 
 of themes including awesome scale\, the psychology of games\, our culture
 ’s secret messages to young girls\, a human reinterpretation of the digi
 tal\, the legibility of abstraction and even…cybernetics.\n\nExhibiting 
 Artists\n\nPeter Abrami (Florida) paints colorful abstract paintings that 
 teeter on the edge of anthropomorphism. A single form—is it emblem or su
 bject?—flips between formalism and character atop each painting’s colo
 rful matte ground.\n\nGeorgia Carter (Texas) creates enormous drawings by 
 “impersonating” an inkjet printer\, starting at the top left\, careful
 ly moving to top right and so on\, back and forth down the paper. The resu
 lting image only grudgingly reveals its digital source material\, resultin
 g in drawings that are soft and enveloping.\n\nLeah Dyjak (Massachusetts) 
 applies the logic of archaeology against the idiosyncrasies of personality
  to understand the mysterious actions of an eccentric. The precision of he
 r luscious photographic imagery reveals a depth of beauty that coexists be
 side the unknowable.\n\nNick Francel (Missouri) invents stylized cartoony 
 characters that exist in an immersive built environment into which the vie
 wer can step. Upon entering his “game board” room\, the viewer encount
 ers game-piece characters\, menacing trees and other clues. The game’s p
 ast and future narrative are represented in images on the room’s exterio
 r walls.\n\nAaron Meyers (Pennsylvania) builds an architectural installati
 on in which his to-scale fragment of the French visionary architect\, Éti
 enne-Louis Boullée’s Cenotaph for Sir Isaac Newton\, creates a mash-up 
 intersection with the VAC. Raised to the same level of grandeur and paired
  with the fragment is a rodent exercise wheel. His attention to detail all
 ows the viewer\, mouse or human\, a glimpse of the infinite.\n\nLaurel She
 ar (California) paints with body-sized gestures a series of abstract and f
 igurative paintings. The figures\, gleaned from Disney’s representations
  of princess/brides\, allude to the stream of propaganda manufactured for 
 the exclusive ingestion of little girls. Her combination of beguiling and 
 repulsive images and color make for a rich\, complex read.\n\nRyan White (
 California) creates a body of work that coincides with auditing sessions h
 e has received at the Church of Scientology. The paintings are abstraction
 s of the reactive mind. The artist makes these paintings before and after 
 his auditing sessions.\n\nAssociated Programs\n\nStudio Art MFA Thesis Exh
 ibition Colloquium\nMonday\, May 4 and Wednesday\, May 6 • 6:30pm
GEO:30.286256;-97.732996
LOCATION:Visual Arts Center\, Art Building (ART)
SUMMARY:Exhibition: Agree to Disagree: 2015 Studio Art MFA Thesis Exhibitio
 n
URL;VALUE=URI:https://calendar.utexas.edu/event/exhibition_agree_to_disagre
 e_2015_studio_art_mfa_thesis_exhibition
CATEGORIES:Arts & Humanities
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260906T113119Z
UID:tag:localist.com\,2008:EventInstance_1216533
DTSTART;VALUE=DATE:20150430
DESCRIPTION:The culmination of an intensive three-year program of work\, AG
 REE TO DISAGREE features artworks made in a variety of media including dra
 wing\, painting\, print\, photography\, installation\, and video. These se
 ven artists use their work to explore the world around them — to connect
 \, describe\, communicate\, and question. Their works explore a diversity 
 of themes including awesome scale\, the psychology of games\, our culture
 ’s secret messages to young girls\, a human reinterpretation of the digi
 tal\, the legibility of abstraction and even…cybernetics.\n\nExhibiting 
 Artists\n\nPeter Abrami (Florida) paints colorful abstract paintings that 
 teeter on the edge of anthropomorphism. A single form—is it emblem or su
 bject?—flips between formalism and character atop each painting’s colo
 rful matte ground.\n\nGeorgia Carter (Texas) creates enormous drawings by 
 “impersonating” an inkjet printer\, starting at the top left\, careful
 ly moving to top right and so on\, back and forth down the paper. The resu
 lting image only grudgingly reveals its digital source material\, resultin
 g in drawings that are soft and enveloping.\n\nLeah Dyjak (Massachusetts) 
 applies the logic of archaeology against the idiosyncrasies of personality
  to understand the mysterious actions of an eccentric. The precision of he
 r luscious photographic imagery reveals a depth of beauty that coexists be
 side the unknowable.\n\nNick Francel (Missouri) invents stylized cartoony 
 characters that exist in an immersive built environment into which the vie
 wer can step. Upon entering his “game board” room\, the viewer encount
 ers game-piece characters\, menacing trees and other clues. The game’s p
 ast and future narrative are represented in images on the room’s exterio
 r walls.\n\nAaron Meyers (Pennsylvania) builds an architectural installati
 on in which his to-scale fragment of the French visionary architect\, Éti
 enne-Louis Boullée’s Cenotaph for Sir Isaac Newton\, creates a mash-up 
 intersection with the VAC. Raised to the same level of grandeur and paired
  with the fragment is a rodent exercise wheel. His attention to detail all
 ows the viewer\, mouse or human\, a glimpse of the infinite.\n\nLaurel She
 ar (California) paints with body-sized gestures a series of abstract and f
 igurative paintings. The figures\, gleaned from Disney’s representations
  of princess/brides\, allude to the stream of propaganda manufactured for 
 the exclusive ingestion of little girls. Her combination of beguiling and 
 repulsive images and color make for a rich\, complex read.\n\nRyan White (
 California) creates a body of work that coincides with auditing sessions h
 e has received at the Church of Scientology. The paintings are abstraction
 s of the reactive mind. The artist makes these paintings before and after 
 his auditing sessions.\n\nAssociated Programs\n\nStudio Art MFA Thesis Exh
 ibition Colloquium\nMonday\, May 4 and Wednesday\, May 6 • 6:30pm
GEO:30.286256;-97.732996
LOCATION:Visual Arts Center\, Art Building (ART)
SUMMARY:Exhibition: Agree to Disagree: 2015 Studio Art MFA Thesis Exhibitio
 n
URL;VALUE=URI:https://calendar.utexas.edu/event/exhibition_agree_to_disagre
 e_2015_studio_art_mfa_thesis_exhibition
CATEGORIES:Arts & Humanities
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260906T113119Z
UID:tag:localist.com\,2008:EventInstance_1216534
DTSTART;VALUE=DATE:20150501
DESCRIPTION:The culmination of an intensive three-year program of work\, AG
 REE TO DISAGREE features artworks made in a variety of media including dra
 wing\, painting\, print\, photography\, installation\, and video. These se
 ven artists use their work to explore the world around them — to connect
 \, describe\, communicate\, and question. Their works explore a diversity 
 of themes including awesome scale\, the psychology of games\, our culture
 ’s secret messages to young girls\, a human reinterpretation of the digi
 tal\, the legibility of abstraction and even…cybernetics.\n\nExhibiting 
 Artists\n\nPeter Abrami (Florida) paints colorful abstract paintings that 
 teeter on the edge of anthropomorphism. A single form—is it emblem or su
 bject?—flips between formalism and character atop each painting’s colo
 rful matte ground.\n\nGeorgia Carter (Texas) creates enormous drawings by 
 “impersonating” an inkjet printer\, starting at the top left\, careful
 ly moving to top right and so on\, back and forth down the paper. The resu
 lting image only grudgingly reveals its digital source material\, resultin
 g in drawings that are soft and enveloping.\n\nLeah Dyjak (Massachusetts) 
 applies the logic of archaeology against the idiosyncrasies of personality
  to understand the mysterious actions of an eccentric. The precision of he
 r luscious photographic imagery reveals a depth of beauty that coexists be
 side the unknowable.\n\nNick Francel (Missouri) invents stylized cartoony 
 characters that exist in an immersive built environment into which the vie
 wer can step. Upon entering his “game board” room\, the viewer encount
 ers game-piece characters\, menacing trees and other clues. The game’s p
 ast and future narrative are represented in images on the room’s exterio
 r walls.\n\nAaron Meyers (Pennsylvania) builds an architectural installati
 on in which his to-scale fragment of the French visionary architect\, Éti
 enne-Louis Boullée’s Cenotaph for Sir Isaac Newton\, creates a mash-up 
 intersection with the VAC. Raised to the same level of grandeur and paired
  with the fragment is a rodent exercise wheel. His attention to detail all
 ows the viewer\, mouse or human\, a glimpse of the infinite.\n\nLaurel She
 ar (California) paints with body-sized gestures a series of abstract and f
 igurative paintings. The figures\, gleaned from Disney’s representations
  of princess/brides\, allude to the stream of propaganda manufactured for 
 the exclusive ingestion of little girls. Her combination of beguiling and 
 repulsive images and color make for a rich\, complex read.\n\nRyan White (
 California) creates a body of work that coincides with auditing sessions h
 e has received at the Church of Scientology. The paintings are abstraction
 s of the reactive mind. The artist makes these paintings before and after 
 his auditing sessions.\n\nAssociated Programs\n\nStudio Art MFA Thesis Exh
 ibition Colloquium\nMonday\, May 4 and Wednesday\, May 6 • 6:30pm
GEO:30.286256;-97.732996
LOCATION:Visual Arts Center\, Art Building (ART)
SUMMARY:Exhibition: Agree to Disagree: 2015 Studio Art MFA Thesis Exhibitio
 n
URL;VALUE=URI:https://calendar.utexas.edu/event/exhibition_agree_to_disagre
 e_2015_studio_art_mfa_thesis_exhibition
CATEGORIES:Arts & Humanities
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260906T113119Z
UID:tag:localist.com\,2008:EventInstance_1216535
DTSTART;VALUE=DATE:20150502
DESCRIPTION:The culmination of an intensive three-year program of work\, AG
 REE TO DISAGREE features artworks made in a variety of media including dra
 wing\, painting\, print\, photography\, installation\, and video. These se
 ven artists use their work to explore the world around them — to connect
 \, describe\, communicate\, and question. Their works explore a diversity 
 of themes including awesome scale\, the psychology of games\, our culture
 ’s secret messages to young girls\, a human reinterpretation of the digi
 tal\, the legibility of abstraction and even…cybernetics.\n\nExhibiting 
 Artists\n\nPeter Abrami (Florida) paints colorful abstract paintings that 
 teeter on the edge of anthropomorphism. A single form—is it emblem or su
 bject?—flips between formalism and character atop each painting’s colo
 rful matte ground.\n\nGeorgia Carter (Texas) creates enormous drawings by 
 “impersonating” an inkjet printer\, starting at the top left\, careful
 ly moving to top right and so on\, back and forth down the paper. The resu
 lting image only grudgingly reveals its digital source material\, resultin
 g in drawings that are soft and enveloping.\n\nLeah Dyjak (Massachusetts) 
 applies the logic of archaeology against the idiosyncrasies of personality
  to understand the mysterious actions of an eccentric. The precision of he
 r luscious photographic imagery reveals a depth of beauty that coexists be
 side the unknowable.\n\nNick Francel (Missouri) invents stylized cartoony 
 characters that exist in an immersive built environment into which the vie
 wer can step. Upon entering his “game board” room\, the viewer encount
 ers game-piece characters\, menacing trees and other clues. The game’s p
 ast and future narrative are represented in images on the room’s exterio
 r walls.\n\nAaron Meyers (Pennsylvania) builds an architectural installati
 on in which his to-scale fragment of the French visionary architect\, Éti
 enne-Louis Boullée’s Cenotaph for Sir Isaac Newton\, creates a mash-up 
 intersection with the VAC. Raised to the same level of grandeur and paired
  with the fragment is a rodent exercise wheel. His attention to detail all
 ows the viewer\, mouse or human\, a glimpse of the infinite.\n\nLaurel She
 ar (California) paints with body-sized gestures a series of abstract and f
 igurative paintings. The figures\, gleaned from Disney’s representations
  of princess/brides\, allude to the stream of propaganda manufactured for 
 the exclusive ingestion of little girls. Her combination of beguiling and 
 repulsive images and color make for a rich\, complex read.\n\nRyan White (
 California) creates a body of work that coincides with auditing sessions h
 e has received at the Church of Scientology. The paintings are abstraction
 s of the reactive mind. The artist makes these paintings before and after 
 his auditing sessions.\n\nAssociated Programs\n\nStudio Art MFA Thesis Exh
 ibition Colloquium\nMonday\, May 4 and Wednesday\, May 6 • 6:30pm
GEO:30.286256;-97.732996
LOCATION:Visual Arts Center\, Art Building (ART)
SUMMARY:Exhibition: Agree to Disagree: 2015 Studio Art MFA Thesis Exhibitio
 n
URL;VALUE=URI:https://calendar.utexas.edu/event/exhibition_agree_to_disagre
 e_2015_studio_art_mfa_thesis_exhibition
CATEGORIES:Arts & Humanities
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260906T113119Z
UID:tag:localist.com\,2008:EventInstance_1216536
DTSTART;VALUE=DATE:20150505
DESCRIPTION:The culmination of an intensive three-year program of work\, AG
 REE TO DISAGREE features artworks made in a variety of media including dra
 wing\, painting\, print\, photography\, installation\, and video. These se
 ven artists use their work to explore the world around them — to connect
 \, describe\, communicate\, and question. Their works explore a diversity 
 of themes including awesome scale\, the psychology of games\, our culture
 ’s secret messages to young girls\, a human reinterpretation of the digi
 tal\, the legibility of abstraction and even…cybernetics.\n\nExhibiting 
 Artists\n\nPeter Abrami (Florida) paints colorful abstract paintings that 
 teeter on the edge of anthropomorphism. A single form—is it emblem or su
 bject?—flips between formalism and character atop each painting’s colo
 rful matte ground.\n\nGeorgia Carter (Texas) creates enormous drawings by 
 “impersonating” an inkjet printer\, starting at the top left\, careful
 ly moving to top right and so on\, back and forth down the paper. The resu
 lting image only grudgingly reveals its digital source material\, resultin
 g in drawings that are soft and enveloping.\n\nLeah Dyjak (Massachusetts) 
 applies the logic of archaeology against the idiosyncrasies of personality
  to understand the mysterious actions of an eccentric. The precision of he
 r luscious photographic imagery reveals a depth of beauty that coexists be
 side the unknowable.\n\nNick Francel (Missouri) invents stylized cartoony 
 characters that exist in an immersive built environment into which the vie
 wer can step. Upon entering his “game board” room\, the viewer encount
 ers game-piece characters\, menacing trees and other clues. The game’s p
 ast and future narrative are represented in images on the room’s exterio
 r walls.\n\nAaron Meyers (Pennsylvania) builds an architectural installati
 on in which his to-scale fragment of the French visionary architect\, Éti
 enne-Louis Boullée’s Cenotaph for Sir Isaac Newton\, creates a mash-up 
 intersection with the VAC. Raised to the same level of grandeur and paired
  with the fragment is a rodent exercise wheel. His attention to detail all
 ows the viewer\, mouse or human\, a glimpse of the infinite.\n\nLaurel She
 ar (California) paints with body-sized gestures a series of abstract and f
 igurative paintings. The figures\, gleaned from Disney’s representations
  of princess/brides\, allude to the stream of propaganda manufactured for 
 the exclusive ingestion of little girls. Her combination of beguiling and 
 repulsive images and color make for a rich\, complex read.\n\nRyan White (
 California) creates a body of work that coincides with auditing sessions h
 e has received at the Church of Scientology. The paintings are abstraction
 s of the reactive mind. The artist makes these paintings before and after 
 his auditing sessions.\n\nAssociated Programs\n\nStudio Art MFA Thesis Exh
 ibition Colloquium\nMonday\, May 4 and Wednesday\, May 6 • 6:30pm
GEO:30.286256;-97.732996
LOCATION:Visual Arts Center\, Art Building (ART)
SUMMARY:Exhibition: Agree to Disagree: 2015 Studio Art MFA Thesis Exhibitio
 n
URL;VALUE=URI:https://calendar.utexas.edu/event/exhibition_agree_to_disagre
 e_2015_studio_art_mfa_thesis_exhibition
CATEGORIES:Arts & Humanities
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260906T113119Z
UID:tag:localist.com\,2008:EventInstance_1216537
DTSTART;VALUE=DATE:20150506
DESCRIPTION:The culmination of an intensive three-year program of work\, AG
 REE TO DISAGREE features artworks made in a variety of media including dra
 wing\, painting\, print\, photography\, installation\, and video. These se
 ven artists use their work to explore the world around them — to connect
 \, describe\, communicate\, and question. Their works explore a diversity 
 of themes including awesome scale\, the psychology of games\, our culture
 ’s secret messages to young girls\, a human reinterpretation of the digi
 tal\, the legibility of abstraction and even…cybernetics.\n\nExhibiting 
 Artists\n\nPeter Abrami (Florida) paints colorful abstract paintings that 
 teeter on the edge of anthropomorphism. A single form—is it emblem or su
 bject?—flips between formalism and character atop each painting’s colo
 rful matte ground.\n\nGeorgia Carter (Texas) creates enormous drawings by 
 “impersonating” an inkjet printer\, starting at the top left\, careful
 ly moving to top right and so on\, back and forth down the paper. The resu
 lting image only grudgingly reveals its digital source material\, resultin
 g in drawings that are soft and enveloping.\n\nLeah Dyjak (Massachusetts) 
 applies the logic of archaeology against the idiosyncrasies of personality
  to understand the mysterious actions of an eccentric. The precision of he
 r luscious photographic imagery reveals a depth of beauty that coexists be
 side the unknowable.\n\nNick Francel (Missouri) invents stylized cartoony 
 characters that exist in an immersive built environment into which the vie
 wer can step. Upon entering his “game board” room\, the viewer encount
 ers game-piece characters\, menacing trees and other clues. The game’s p
 ast and future narrative are represented in images on the room’s exterio
 r walls.\n\nAaron Meyers (Pennsylvania) builds an architectural installati
 on in which his to-scale fragment of the French visionary architect\, Éti
 enne-Louis Boullée’s Cenotaph for Sir Isaac Newton\, creates a mash-up 
 intersection with the VAC. Raised to the same level of grandeur and paired
  with the fragment is a rodent exercise wheel. His attention to detail all
 ows the viewer\, mouse or human\, a glimpse of the infinite.\n\nLaurel She
 ar (California) paints with body-sized gestures a series of abstract and f
 igurative paintings. The figures\, gleaned from Disney’s representations
  of princess/brides\, allude to the stream of propaganda manufactured for 
 the exclusive ingestion of little girls. Her combination of beguiling and 
 repulsive images and color make for a rich\, complex read.\n\nRyan White (
 California) creates a body of work that coincides with auditing sessions h
 e has received at the Church of Scientology. The paintings are abstraction
 s of the reactive mind. The artist makes these paintings before and after 
 his auditing sessions.\n\nAssociated Programs\n\nStudio Art MFA Thesis Exh
 ibition Colloquium\nMonday\, May 4 and Wednesday\, May 6 • 6:30pm
GEO:30.286256;-97.732996
LOCATION:Visual Arts Center\, Art Building (ART)
SUMMARY:Exhibition: Agree to Disagree: 2015 Studio Art MFA Thesis Exhibitio
 n
URL;VALUE=URI:https://calendar.utexas.edu/event/exhibition_agree_to_disagre
 e_2015_studio_art_mfa_thesis_exhibition
CATEGORIES:Arts & Humanities
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260906T113119Z
UID:tag:localist.com\,2008:EventInstance_1216538
DTSTART;VALUE=DATE:20150507
DESCRIPTION:The culmination of an intensive three-year program of work\, AG
 REE TO DISAGREE features artworks made in a variety of media including dra
 wing\, painting\, print\, photography\, installation\, and video. These se
 ven artists use their work to explore the world around them — to connect
 \, describe\, communicate\, and question. Their works explore a diversity 
 of themes including awesome scale\, the psychology of games\, our culture
 ’s secret messages to young girls\, a human reinterpretation of the digi
 tal\, the legibility of abstraction and even…cybernetics.\n\nExhibiting 
 Artists\n\nPeter Abrami (Florida) paints colorful abstract paintings that 
 teeter on the edge of anthropomorphism. A single form—is it emblem or su
 bject?—flips between formalism and character atop each painting’s colo
 rful matte ground.\n\nGeorgia Carter (Texas) creates enormous drawings by 
 “impersonating” an inkjet printer\, starting at the top left\, careful
 ly moving to top right and so on\, back and forth down the paper. The resu
 lting image only grudgingly reveals its digital source material\, resultin
 g in drawings that are soft and enveloping.\n\nLeah Dyjak (Massachusetts) 
 applies the logic of archaeology against the idiosyncrasies of personality
  to understand the mysterious actions of an eccentric. The precision of he
 r luscious photographic imagery reveals a depth of beauty that coexists be
 side the unknowable.\n\nNick Francel (Missouri) invents stylized cartoony 
 characters that exist in an immersive built environment into which the vie
 wer can step. Upon entering his “game board” room\, the viewer encount
 ers game-piece characters\, menacing trees and other clues. The game’s p
 ast and future narrative are represented in images on the room’s exterio
 r walls.\n\nAaron Meyers (Pennsylvania) builds an architectural installati
 on in which his to-scale fragment of the French visionary architect\, Éti
 enne-Louis Boullée’s Cenotaph for Sir Isaac Newton\, creates a mash-up 
 intersection with the VAC. Raised to the same level of grandeur and paired
  with the fragment is a rodent exercise wheel. His attention to detail all
 ows the viewer\, mouse or human\, a glimpse of the infinite.\n\nLaurel She
 ar (California) paints with body-sized gestures a series of abstract and f
 igurative paintings. The figures\, gleaned from Disney’s representations
  of princess/brides\, allude to the stream of propaganda manufactured for 
 the exclusive ingestion of little girls. Her combination of beguiling and 
 repulsive images and color make for a rich\, complex read.\n\nRyan White (
 California) creates a body of work that coincides with auditing sessions h
 e has received at the Church of Scientology. The paintings are abstraction
 s of the reactive mind. The artist makes these paintings before and after 
 his auditing sessions.\n\nAssociated Programs\n\nStudio Art MFA Thesis Exh
 ibition Colloquium\nMonday\, May 4 and Wednesday\, May 6 • 6:30pm
GEO:30.286256;-97.732996
LOCATION:Visual Arts Center\, Art Building (ART)
SUMMARY:Exhibition: Agree to Disagree: 2015 Studio Art MFA Thesis Exhibitio
 n
URL;VALUE=URI:https://calendar.utexas.edu/event/exhibition_agree_to_disagre
 e_2015_studio_art_mfa_thesis_exhibition
CATEGORIES:Arts & Humanities
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260906T113119Z
UID:tag:localist.com\,2008:EventInstance_1216539
DTSTART;VALUE=DATE:20150508
DESCRIPTION:The culmination of an intensive three-year program of work\, AG
 REE TO DISAGREE features artworks made in a variety of media including dra
 wing\, painting\, print\, photography\, installation\, and video. These se
 ven artists use their work to explore the world around them — to connect
 \, describe\, communicate\, and question. Their works explore a diversity 
 of themes including awesome scale\, the psychology of games\, our culture
 ’s secret messages to young girls\, a human reinterpretation of the digi
 tal\, the legibility of abstraction and even…cybernetics.\n\nExhibiting 
 Artists\n\nPeter Abrami (Florida) paints colorful abstract paintings that 
 teeter on the edge of anthropomorphism. A single form—is it emblem or su
 bject?—flips between formalism and character atop each painting’s colo
 rful matte ground.\n\nGeorgia Carter (Texas) creates enormous drawings by 
 “impersonating” an inkjet printer\, starting at the top left\, careful
 ly moving to top right and so on\, back and forth down the paper. The resu
 lting image only grudgingly reveals its digital source material\, resultin
 g in drawings that are soft and enveloping.\n\nLeah Dyjak (Massachusetts) 
 applies the logic of archaeology against the idiosyncrasies of personality
  to understand the mysterious actions of an eccentric. The precision of he
 r luscious photographic imagery reveals a depth of beauty that coexists be
 side the unknowable.\n\nNick Francel (Missouri) invents stylized cartoony 
 characters that exist in an immersive built environment into which the vie
 wer can step. Upon entering his “game board” room\, the viewer encount
 ers game-piece characters\, menacing trees and other clues. The game’s p
 ast and future narrative are represented in images on the room’s exterio
 r walls.\n\nAaron Meyers (Pennsylvania) builds an architectural installati
 on in which his to-scale fragment of the French visionary architect\, Éti
 enne-Louis Boullée’s Cenotaph for Sir Isaac Newton\, creates a mash-up 
 intersection with the VAC. Raised to the same level of grandeur and paired
  with the fragment is a rodent exercise wheel. His attention to detail all
 ows the viewer\, mouse or human\, a glimpse of the infinite.\n\nLaurel She
 ar (California) paints with body-sized gestures a series of abstract and f
 igurative paintings. The figures\, gleaned from Disney’s representations
  of princess/brides\, allude to the stream of propaganda manufactured for 
 the exclusive ingestion of little girls. Her combination of beguiling and 
 repulsive images and color make for a rich\, complex read.\n\nRyan White (
 California) creates a body of work that coincides with auditing sessions h
 e has received at the Church of Scientology. The paintings are abstraction
 s of the reactive mind. The artist makes these paintings before and after 
 his auditing sessions.\n\nAssociated Programs\n\nStudio Art MFA Thesis Exh
 ibition Colloquium\nMonday\, May 4 and Wednesday\, May 6 • 6:30pm
GEO:30.286256;-97.732996
LOCATION:Visual Arts Center\, Art Building (ART)
SUMMARY:Exhibition: Agree to Disagree: 2015 Studio Art MFA Thesis Exhibitio
 n
URL;VALUE=URI:https://calendar.utexas.edu/event/exhibition_agree_to_disagre
 e_2015_studio_art_mfa_thesis_exhibition
CATEGORIES:Arts & Humanities
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260906T113119Z
UID:tag:localist.com\,2008:EventInstance_1216540
DTSTART;VALUE=DATE:20150509
DESCRIPTION:The culmination of an intensive three-year program of work\, AG
 REE TO DISAGREE features artworks made in a variety of media including dra
 wing\, painting\, print\, photography\, installation\, and video. These se
 ven artists use their work to explore the world around them — to connect
 \, describe\, communicate\, and question. Their works explore a diversity 
 of themes including awesome scale\, the psychology of games\, our culture
 ’s secret messages to young girls\, a human reinterpretation of the digi
 tal\, the legibility of abstraction and even…cybernetics.\n\nExhibiting 
 Artists\n\nPeter Abrami (Florida) paints colorful abstract paintings that 
 teeter on the edge of anthropomorphism. A single form—is it emblem or su
 bject?—flips between formalism and character atop each painting’s colo
 rful matte ground.\n\nGeorgia Carter (Texas) creates enormous drawings by 
 “impersonating” an inkjet printer\, starting at the top left\, careful
 ly moving to top right and so on\, back and forth down the paper. The resu
 lting image only grudgingly reveals its digital source material\, resultin
 g in drawings that are soft and enveloping.\n\nLeah Dyjak (Massachusetts) 
 applies the logic of archaeology against the idiosyncrasies of personality
  to understand the mysterious actions of an eccentric. The precision of he
 r luscious photographic imagery reveals a depth of beauty that coexists be
 side the unknowable.\n\nNick Francel (Missouri) invents stylized cartoony 
 characters that exist in an immersive built environment into which the vie
 wer can step. Upon entering his “game board” room\, the viewer encount
 ers game-piece characters\, menacing trees and other clues. The game’s p
 ast and future narrative are represented in images on the room’s exterio
 r walls.\n\nAaron Meyers (Pennsylvania) builds an architectural installati
 on in which his to-scale fragment of the French visionary architect\, Éti
 enne-Louis Boullée’s Cenotaph for Sir Isaac Newton\, creates a mash-up 
 intersection with the VAC. Raised to the same level of grandeur and paired
  with the fragment is a rodent exercise wheel. His attention to detail all
 ows the viewer\, mouse or human\, a glimpse of the infinite.\n\nLaurel She
 ar (California) paints with body-sized gestures a series of abstract and f
 igurative paintings. The figures\, gleaned from Disney’s representations
  of princess/brides\, allude to the stream of propaganda manufactured for 
 the exclusive ingestion of little girls. Her combination of beguiling and 
 repulsive images and color make for a rich\, complex read.\n\nRyan White (
 California) creates a body of work that coincides with auditing sessions h
 e has received at the Church of Scientology. The paintings are abstraction
 s of the reactive mind. The artist makes these paintings before and after 
 his auditing sessions.\n\nAssociated Programs\n\nStudio Art MFA Thesis Exh
 ibition Colloquium\nMonday\, May 4 and Wednesday\, May 6 • 6:30pm
GEO:30.286256;-97.732996
LOCATION:Visual Arts Center\, Art Building (ART)
SUMMARY:Exhibition: Agree to Disagree: 2015 Studio Art MFA Thesis Exhibitio
 n
URL;VALUE=URI:https://calendar.utexas.edu/event/exhibition_agree_to_disagre
 e_2015_studio_art_mfa_thesis_exhibition
CATEGORIES:Arts & Humanities
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260906T113119Z
UID:tag:localist.com\,2008:EventInstance_1216541
DTSTART;VALUE=DATE:20150512
DESCRIPTION:The culmination of an intensive three-year program of work\, AG
 REE TO DISAGREE features artworks made in a variety of media including dra
 wing\, painting\, print\, photography\, installation\, and video. These se
 ven artists use their work to explore the world around them — to connect
 \, describe\, communicate\, and question. Their works explore a diversity 
 of themes including awesome scale\, the psychology of games\, our culture
 ’s secret messages to young girls\, a human reinterpretation of the digi
 tal\, the legibility of abstraction and even…cybernetics.\n\nExhibiting 
 Artists\n\nPeter Abrami (Florida) paints colorful abstract paintings that 
 teeter on the edge of anthropomorphism. A single form—is it emblem or su
 bject?—flips between formalism and character atop each painting’s colo
 rful matte ground.\n\nGeorgia Carter (Texas) creates enormous drawings by 
 “impersonating” an inkjet printer\, starting at the top left\, careful
 ly moving to top right and so on\, back and forth down the paper. The resu
 lting image only grudgingly reveals its digital source material\, resultin
 g in drawings that are soft and enveloping.\n\nLeah Dyjak (Massachusetts) 
 applies the logic of archaeology against the idiosyncrasies of personality
  to understand the mysterious actions of an eccentric. The precision of he
 r luscious photographic imagery reveals a depth of beauty that coexists be
 side the unknowable.\n\nNick Francel (Missouri) invents stylized cartoony 
 characters that exist in an immersive built environment into which the vie
 wer can step. Upon entering his “game board” room\, the viewer encount
 ers game-piece characters\, menacing trees and other clues. The game’s p
 ast and future narrative are represented in images on the room’s exterio
 r walls.\n\nAaron Meyers (Pennsylvania) builds an architectural installati
 on in which his to-scale fragment of the French visionary architect\, Éti
 enne-Louis Boullée’s Cenotaph for Sir Isaac Newton\, creates a mash-up 
 intersection with the VAC. Raised to the same level of grandeur and paired
  with the fragment is a rodent exercise wheel. His attention to detail all
 ows the viewer\, mouse or human\, a glimpse of the infinite.\n\nLaurel She
 ar (California) paints with body-sized gestures a series of abstract and f
 igurative paintings. The figures\, gleaned from Disney’s representations
  of princess/brides\, allude to the stream of propaganda manufactured for 
 the exclusive ingestion of little girls. Her combination of beguiling and 
 repulsive images and color make for a rich\, complex read.\n\nRyan White (
 California) creates a body of work that coincides with auditing sessions h
 e has received at the Church of Scientology. The paintings are abstraction
 s of the reactive mind. The artist makes these paintings before and after 
 his auditing sessions.\n\nAssociated Programs\n\nStudio Art MFA Thesis Exh
 ibition Colloquium\nMonday\, May 4 and Wednesday\, May 6 • 6:30pm
GEO:30.286256;-97.732996
LOCATION:Visual Arts Center\, Art Building (ART)
SUMMARY:Exhibition: Agree to Disagree: 2015 Studio Art MFA Thesis Exhibitio
 n
URL;VALUE=URI:https://calendar.utexas.edu/event/exhibition_agree_to_disagre
 e_2015_studio_art_mfa_thesis_exhibition
CATEGORIES:Arts & Humanities
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260906T113119Z
UID:tag:localist.com\,2008:EventInstance_1216542
DTSTART;VALUE=DATE:20150513
DESCRIPTION:The culmination of an intensive three-year program of work\, AG
 REE TO DISAGREE features artworks made in a variety of media including dra
 wing\, painting\, print\, photography\, installation\, and video. These se
 ven artists use their work to explore the world around them — to connect
 \, describe\, communicate\, and question. Their works explore a diversity 
 of themes including awesome scale\, the psychology of games\, our culture
 ’s secret messages to young girls\, a human reinterpretation of the digi
 tal\, the legibility of abstraction and even…cybernetics.\n\nExhibiting 
 Artists\n\nPeter Abrami (Florida) paints colorful abstract paintings that 
 teeter on the edge of anthropomorphism. A single form—is it emblem or su
 bject?—flips between formalism and character atop each painting’s colo
 rful matte ground.\n\nGeorgia Carter (Texas) creates enormous drawings by 
 “impersonating” an inkjet printer\, starting at the top left\, careful
 ly moving to top right and so on\, back and forth down the paper. The resu
 lting image only grudgingly reveals its digital source material\, resultin
 g in drawings that are soft and enveloping.\n\nLeah Dyjak (Massachusetts) 
 applies the logic of archaeology against the idiosyncrasies of personality
  to understand the mysterious actions of an eccentric. The precision of he
 r luscious photographic imagery reveals a depth of beauty that coexists be
 side the unknowable.\n\nNick Francel (Missouri) invents stylized cartoony 
 characters that exist in an immersive built environment into which the vie
 wer can step. Upon entering his “game board” room\, the viewer encount
 ers game-piece characters\, menacing trees and other clues. The game’s p
 ast and future narrative are represented in images on the room’s exterio
 r walls.\n\nAaron Meyers (Pennsylvania) builds an architectural installati
 on in which his to-scale fragment of the French visionary architect\, Éti
 enne-Louis Boullée’s Cenotaph for Sir Isaac Newton\, creates a mash-up 
 intersection with the VAC. Raised to the same level of grandeur and paired
  with the fragment is a rodent exercise wheel. His attention to detail all
 ows the viewer\, mouse or human\, a glimpse of the infinite.\n\nLaurel She
 ar (California) paints with body-sized gestures a series of abstract and f
 igurative paintings. The figures\, gleaned from Disney’s representations
  of princess/brides\, allude to the stream of propaganda manufactured for 
 the exclusive ingestion of little girls. Her combination of beguiling and 
 repulsive images and color make for a rich\, complex read.\n\nRyan White (
 California) creates a body of work that coincides with auditing sessions h
 e has received at the Church of Scientology. The paintings are abstraction
 s of the reactive mind. The artist makes these paintings before and after 
 his auditing sessions.\n\nAssociated Programs\n\nStudio Art MFA Thesis Exh
 ibition Colloquium\nMonday\, May 4 and Wednesday\, May 6 • 6:30pm
GEO:30.286256;-97.732996
LOCATION:Visual Arts Center\, Art Building (ART)
SUMMARY:Exhibition: Agree to Disagree: 2015 Studio Art MFA Thesis Exhibitio
 n
URL;VALUE=URI:https://calendar.utexas.edu/event/exhibition_agree_to_disagre
 e_2015_studio_art_mfa_thesis_exhibition
CATEGORIES:Arts & Humanities
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260906T113119Z
UID:tag:localist.com\,2008:EventInstance_1216543
DTSTART;VALUE=DATE:20150514
DESCRIPTION:The culmination of an intensive three-year program of work\, AG
 REE TO DISAGREE features artworks made in a variety of media including dra
 wing\, painting\, print\, photography\, installation\, and video. These se
 ven artists use their work to explore the world around them — to connect
 \, describe\, communicate\, and question. Their works explore a diversity 
 of themes including awesome scale\, the psychology of games\, our culture
 ’s secret messages to young girls\, a human reinterpretation of the digi
 tal\, the legibility of abstraction and even…cybernetics.\n\nExhibiting 
 Artists\n\nPeter Abrami (Florida) paints colorful abstract paintings that 
 teeter on the edge of anthropomorphism. A single form—is it emblem or su
 bject?—flips between formalism and character atop each painting’s colo
 rful matte ground.\n\nGeorgia Carter (Texas) creates enormous drawings by 
 “impersonating” an inkjet printer\, starting at the top left\, careful
 ly moving to top right and so on\, back and forth down the paper. The resu
 lting image only grudgingly reveals its digital source material\, resultin
 g in drawings that are soft and enveloping.\n\nLeah Dyjak (Massachusetts) 
 applies the logic of archaeology against the idiosyncrasies of personality
  to understand the mysterious actions of an eccentric. The precision of he
 r luscious photographic imagery reveals a depth of beauty that coexists be
 side the unknowable.\n\nNick Francel (Missouri) invents stylized cartoony 
 characters that exist in an immersive built environment into which the vie
 wer can step. Upon entering his “game board” room\, the viewer encount
 ers game-piece characters\, menacing trees and other clues. The game’s p
 ast and future narrative are represented in images on the room’s exterio
 r walls.\n\nAaron Meyers (Pennsylvania) builds an architectural installati
 on in which his to-scale fragment of the French visionary architect\, Éti
 enne-Louis Boullée’s Cenotaph for Sir Isaac Newton\, creates a mash-up 
 intersection with the VAC. Raised to the same level of grandeur and paired
  with the fragment is a rodent exercise wheel. His attention to detail all
 ows the viewer\, mouse or human\, a glimpse of the infinite.\n\nLaurel She
 ar (California) paints with body-sized gestures a series of abstract and f
 igurative paintings. The figures\, gleaned from Disney’s representations
  of princess/brides\, allude to the stream of propaganda manufactured for 
 the exclusive ingestion of little girls. Her combination of beguiling and 
 repulsive images and color make for a rich\, complex read.\n\nRyan White (
 California) creates a body of work that coincides with auditing sessions h
 e has received at the Church of Scientology. The paintings are abstraction
 s of the reactive mind. The artist makes these paintings before and after 
 his auditing sessions.\n\nAssociated Programs\n\nStudio Art MFA Thesis Exh
 ibition Colloquium\nMonday\, May 4 and Wednesday\, May 6 • 6:30pm
GEO:30.286256;-97.732996
LOCATION:Visual Arts Center\, Art Building (ART)
SUMMARY:Exhibition: Agree to Disagree: 2015 Studio Art MFA Thesis Exhibitio
 n
URL;VALUE=URI:https://calendar.utexas.edu/event/exhibition_agree_to_disagre
 e_2015_studio_art_mfa_thesis_exhibition
CATEGORIES:Arts & Humanities
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260906T113119Z
UID:tag:localist.com\,2008:EventInstance_1216544
DTSTART;VALUE=DATE:20150515
DESCRIPTION:The culmination of an intensive three-year program of work\, AG
 REE TO DISAGREE features artworks made in a variety of media including dra
 wing\, painting\, print\, photography\, installation\, and video. These se
 ven artists use their work to explore the world around them — to connect
 \, describe\, communicate\, and question. Their works explore a diversity 
 of themes including awesome scale\, the psychology of games\, our culture
 ’s secret messages to young girls\, a human reinterpretation of the digi
 tal\, the legibility of abstraction and even…cybernetics.\n\nExhibiting 
 Artists\n\nPeter Abrami (Florida) paints colorful abstract paintings that 
 teeter on the edge of anthropomorphism. A single form—is it emblem or su
 bject?—flips between formalism and character atop each painting’s colo
 rful matte ground.\n\nGeorgia Carter (Texas) creates enormous drawings by 
 “impersonating” an inkjet printer\, starting at the top left\, careful
 ly moving to top right and so on\, back and forth down the paper. The resu
 lting image only grudgingly reveals its digital source material\, resultin
 g in drawings that are soft and enveloping.\n\nLeah Dyjak (Massachusetts) 
 applies the logic of archaeology against the idiosyncrasies of personality
  to understand the mysterious actions of an eccentric. The precision of he
 r luscious photographic imagery reveals a depth of beauty that coexists be
 side the unknowable.\n\nNick Francel (Missouri) invents stylized cartoony 
 characters that exist in an immersive built environment into which the vie
 wer can step. Upon entering his “game board” room\, the viewer encount
 ers game-piece characters\, menacing trees and other clues. The game’s p
 ast and future narrative are represented in images on the room’s exterio
 r walls.\n\nAaron Meyers (Pennsylvania) builds an architectural installati
 on in which his to-scale fragment of the French visionary architect\, Éti
 enne-Louis Boullée’s Cenotaph for Sir Isaac Newton\, creates a mash-up 
 intersection with the VAC. Raised to the same level of grandeur and paired
  with the fragment is a rodent exercise wheel. His attention to detail all
 ows the viewer\, mouse or human\, a glimpse of the infinite.\n\nLaurel She
 ar (California) paints with body-sized gestures a series of abstract and f
 igurative paintings. The figures\, gleaned from Disney’s representations
  of princess/brides\, allude to the stream of propaganda manufactured for 
 the exclusive ingestion of little girls. Her combination of beguiling and 
 repulsive images and color make for a rich\, complex read.\n\nRyan White (
 California) creates a body of work that coincides with auditing sessions h
 e has received at the Church of Scientology. The paintings are abstraction
 s of the reactive mind. The artist makes these paintings before and after 
 his auditing sessions.\n\nAssociated Programs\n\nStudio Art MFA Thesis Exh
 ibition Colloquium\nMonday\, May 4 and Wednesday\, May 6 • 6:30pm
GEO:30.286256;-97.732996
LOCATION:Visual Arts Center\, Art Building (ART)
SUMMARY:Exhibition: Agree to Disagree: 2015 Studio Art MFA Thesis Exhibitio
 n
URL;VALUE=URI:https://calendar.utexas.edu/event/exhibition_agree_to_disagre
 e_2015_studio_art_mfa_thesis_exhibition
CATEGORIES:Arts & Humanities
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260906T113119Z
UID:tag:localist.com\,2008:EventInstance_1216545
DTSTART;VALUE=DATE:20150516
DESCRIPTION:The culmination of an intensive three-year program of work\, AG
 REE TO DISAGREE features artworks made in a variety of media including dra
 wing\, painting\, print\, photography\, installation\, and video. These se
 ven artists use their work to explore the world around them — to connect
 \, describe\, communicate\, and question. Their works explore a diversity 
 of themes including awesome scale\, the psychology of games\, our culture
 ’s secret messages to young girls\, a human reinterpretation of the digi
 tal\, the legibility of abstraction and even…cybernetics.\n\nExhibiting 
 Artists\n\nPeter Abrami (Florida) paints colorful abstract paintings that 
 teeter on the edge of anthropomorphism. A single form—is it emblem or su
 bject?—flips between formalism and character atop each painting’s colo
 rful matte ground.\n\nGeorgia Carter (Texas) creates enormous drawings by 
 “impersonating” an inkjet printer\, starting at the top left\, careful
 ly moving to top right and so on\, back and forth down the paper. The resu
 lting image only grudgingly reveals its digital source material\, resultin
 g in drawings that are soft and enveloping.\n\nLeah Dyjak (Massachusetts) 
 applies the logic of archaeology against the idiosyncrasies of personality
  to understand the mysterious actions of an eccentric. The precision of he
 r luscious photographic imagery reveals a depth of beauty that coexists be
 side the unknowable.\n\nNick Francel (Missouri) invents stylized cartoony 
 characters that exist in an immersive built environment into which the vie
 wer can step. Upon entering his “game board” room\, the viewer encount
 ers game-piece characters\, menacing trees and other clues. The game’s p
 ast and future narrative are represented in images on the room’s exterio
 r walls.\n\nAaron Meyers (Pennsylvania) builds an architectural installati
 on in which his to-scale fragment of the French visionary architect\, Éti
 enne-Louis Boullée’s Cenotaph for Sir Isaac Newton\, creates a mash-up 
 intersection with the VAC. Raised to the same level of grandeur and paired
  with the fragment is a rodent exercise wheel. His attention to detail all
 ows the viewer\, mouse or human\, a glimpse of the infinite.\n\nLaurel She
 ar (California) paints with body-sized gestures a series of abstract and f
 igurative paintings. The figures\, gleaned from Disney’s representations
  of princess/brides\, allude to the stream of propaganda manufactured for 
 the exclusive ingestion of little girls. Her combination of beguiling and 
 repulsive images and color make for a rich\, complex read.\n\nRyan White (
 California) creates a body of work that coincides with auditing sessions h
 e has received at the Church of Scientology. The paintings are abstraction
 s of the reactive mind. The artist makes these paintings before and after 
 his auditing sessions.\n\nAssociated Programs\n\nStudio Art MFA Thesis Exh
 ibition Colloquium\nMonday\, May 4 and Wednesday\, May 6 • 6:30pm
GEO:30.286256;-97.732996
LOCATION:Visual Arts Center\, Art Building (ART)
SUMMARY:Exhibition: Agree to Disagree: 2015 Studio Art MFA Thesis Exhibitio
 n
URL;VALUE=URI:https://calendar.utexas.edu/event/exhibition_agree_to_disagre
 e_2015_studio_art_mfa_thesis_exhibition
CATEGORIES:Arts & Humanities
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260906T113119Z
UID:tag:localist.com\,2008:EventInstance_1216546
DTSTART;VALUE=DATE:20150522
DESCRIPTION:The culmination of an intensive three-year program of work\, AG
 REE TO DISAGREE features artworks made in a variety of media including dra
 wing\, painting\, print\, photography\, installation\, and video. These se
 ven artists use their work to explore the world around them — to connect
 \, describe\, communicate\, and question. Their works explore a diversity 
 of themes including awesome scale\, the psychology of games\, our culture
 ’s secret messages to young girls\, a human reinterpretation of the digi
 tal\, the legibility of abstraction and even…cybernetics.\n\nExhibiting 
 Artists\n\nPeter Abrami (Florida) paints colorful abstract paintings that 
 teeter on the edge of anthropomorphism. A single form—is it emblem or su
 bject?—flips between formalism and character atop each painting’s colo
 rful matte ground.\n\nGeorgia Carter (Texas) creates enormous drawings by 
 “impersonating” an inkjet printer\, starting at the top left\, careful
 ly moving to top right and so on\, back and forth down the paper. The resu
 lting image only grudgingly reveals its digital source material\, resultin
 g in drawings that are soft and enveloping.\n\nLeah Dyjak (Massachusetts) 
 applies the logic of archaeology against the idiosyncrasies of personality
  to understand the mysterious actions of an eccentric. The precision of he
 r luscious photographic imagery reveals a depth of beauty that coexists be
 side the unknowable.\n\nNick Francel (Missouri) invents stylized cartoony 
 characters that exist in an immersive built environment into which the vie
 wer can step. Upon entering his “game board” room\, the viewer encount
 ers game-piece characters\, menacing trees and other clues. The game’s p
 ast and future narrative are represented in images on the room’s exterio
 r walls.\n\nAaron Meyers (Pennsylvania) builds an architectural installati
 on in which his to-scale fragment of the French visionary architect\, Éti
 enne-Louis Boullée’s Cenotaph for Sir Isaac Newton\, creates a mash-up 
 intersection with the VAC. Raised to the same level of grandeur and paired
  with the fragment is a rodent exercise wheel. His attention to detail all
 ows the viewer\, mouse or human\, a glimpse of the infinite.\n\nLaurel She
 ar (California) paints with body-sized gestures a series of abstract and f
 igurative paintings. The figures\, gleaned from Disney’s representations
  of princess/brides\, allude to the stream of propaganda manufactured for 
 the exclusive ingestion of little girls. Her combination of beguiling and 
 repulsive images and color make for a rich\, complex read.\n\nRyan White (
 California) creates a body of work that coincides with auditing sessions h
 e has received at the Church of Scientology. The paintings are abstraction
 s of the reactive mind. The artist makes these paintings before and after 
 his auditing sessions.\n\nAssociated Programs\n\nStudio Art MFA Thesis Exh
 ibition Colloquium\nMonday\, May 4 and Wednesday\, May 6 • 6:30pm
GEO:30.286256;-97.732996
LOCATION:Visual Arts Center\, Art Building (ART)
SUMMARY:Exhibition: Agree to Disagree: 2015 Studio Art MFA Thesis Exhibitio
 n
URL;VALUE=URI:https://calendar.utexas.edu/event/exhibition_agree_to_disagre
 e_2015_studio_art_mfa_thesis_exhibition
CATEGORIES:Arts & Humanities
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260906T113119Z
UID:tag:localist.com\,2008:EventInstance_1216547
DTSTART;VALUE=DATE:20150523
DESCRIPTION:The culmination of an intensive three-year program of work\, AG
 REE TO DISAGREE features artworks made in a variety of media including dra
 wing\, painting\, print\, photography\, installation\, and video. These se
 ven artists use their work to explore the world around them — to connect
 \, describe\, communicate\, and question. Their works explore a diversity 
 of themes including awesome scale\, the psychology of games\, our culture
 ’s secret messages to young girls\, a human reinterpretation of the digi
 tal\, the legibility of abstraction and even…cybernetics.\n\nExhibiting 
 Artists\n\nPeter Abrami (Florida) paints colorful abstract paintings that 
 teeter on the edge of anthropomorphism. A single form—is it emblem or su
 bject?—flips between formalism and character atop each painting’s colo
 rful matte ground.\n\nGeorgia Carter (Texas) creates enormous drawings by 
 “impersonating” an inkjet printer\, starting at the top left\, careful
 ly moving to top right and so on\, back and forth down the paper. The resu
 lting image only grudgingly reveals its digital source material\, resultin
 g in drawings that are soft and enveloping.\n\nLeah Dyjak (Massachusetts) 
 applies the logic of archaeology against the idiosyncrasies of personality
  to understand the mysterious actions of an eccentric. The precision of he
 r luscious photographic imagery reveals a depth of beauty that coexists be
 side the unknowable.\n\nNick Francel (Missouri) invents stylized cartoony 
 characters that exist in an immersive built environment into which the vie
 wer can step. Upon entering his “game board” room\, the viewer encount
 ers game-piece characters\, menacing trees and other clues. The game’s p
 ast and future narrative are represented in images on the room’s exterio
 r walls.\n\nAaron Meyers (Pennsylvania) builds an architectural installati
 on in which his to-scale fragment of the French visionary architect\, Éti
 enne-Louis Boullée’s Cenotaph for Sir Isaac Newton\, creates a mash-up 
 intersection with the VAC. Raised to the same level of grandeur and paired
  with the fragment is a rodent exercise wheel. His attention to detail all
 ows the viewer\, mouse or human\, a glimpse of the infinite.\n\nLaurel She
 ar (California) paints with body-sized gestures a series of abstract and f
 igurative paintings. The figures\, gleaned from Disney’s representations
  of princess/brides\, allude to the stream of propaganda manufactured for 
 the exclusive ingestion of little girls. Her combination of beguiling and 
 repulsive images and color make for a rich\, complex read.\n\nRyan White (
 California) creates a body of work that coincides with auditing sessions h
 e has received at the Church of Scientology. The paintings are abstraction
 s of the reactive mind. The artist makes these paintings before and after 
 his auditing sessions.\n\nAssociated Programs\n\nStudio Art MFA Thesis Exh
 ibition Colloquium\nMonday\, May 4 and Wednesday\, May 6 • 6:30pm
GEO:30.286256;-97.732996
LOCATION:Visual Arts Center\, Art Building (ART)
SUMMARY:Exhibition: Agree to Disagree: 2015 Studio Art MFA Thesis Exhibitio
 n
URL;VALUE=URI:https://calendar.utexas.edu/event/exhibition_agree_to_disagre
 e_2015_studio_art_mfa_thesis_exhibition
CATEGORIES:Arts & Humanities
END:VEVENT
END:VCALENDAR