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X-WR-CALNAME:Expanding Abstraction: Pushing the Boundaries of Painting in t
 he Americas\, 1958–1980
X-WR-TIMEZONE:Central Time (US & Canada)
BEGIN:VEVENT
DTSTAMP:20260914T053725Z
UID:tag:localist.com\,2008:EventInstance_32565185901248
DTSTART;VALUE=DATE:20200621
DESCRIPTION:In the early 20th century\, artists began exploring abstract\, 
 nonrepresentational forms for the first time and significantly changed the
  language of painting.  Several decades later\, abstraction continued to e
 volve robustly\, as its practitioners experimented with new materials and 
 techniques. Dripping\, pouring\, staining and even slinging paint became c
 ommon\, as did the use of non-traditional media such as acrylic and indust
 rial paints. Artists also challenged the flat\, rectangular format—long 
 the standard in painting—to create texture and dimensionality\, blurring
  the lines between painting and sculpture and foregrounding the object’s
  materiality.  The Blanton’s collection is particularly strong in painti
 ng of the 1960s and 70s from both the United States and Latin America.  Ex
 panding Abstraction will explore how painting was transformed in these dec
 ades.  Many of the works are large scale and have rarely been shown before
 .
GEO:30.280773;-97.737732
LOCATION:Blanton Museum of Art (BMA)
SUMMARY:Expanding Abstraction: Pushing the Boundaries of Painting in the Am
 ericas\, 1958–1980
URL;VALUE=URI:https://calendar.utexas.edu/event/expanding_abstraction_pushi
 ng_the_boundaries_of_painting_in_the_americas_19581980
CATEGORIES:Arts & Humanities
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260914T053725Z
UID:tag:localist.com\,2008:EventInstance_32565185902152
DTSTART;VALUE=DATE:20200622
DESCRIPTION:In the early 20th century\, artists began exploring abstract\, 
 nonrepresentational forms for the first time and significantly changed the
  language of painting.  Several decades later\, abstraction continued to e
 volve robustly\, as its practitioners experimented with new materials and 
 techniques. Dripping\, pouring\, staining and even slinging paint became c
 ommon\, as did the use of non-traditional media such as acrylic and indust
 rial paints. Artists also challenged the flat\, rectangular format—long 
 the standard in painting—to create texture and dimensionality\, blurring
  the lines between painting and sculpture and foregrounding the object’s
  materiality.  The Blanton’s collection is particularly strong in painti
 ng of the 1960s and 70s from both the United States and Latin America.  Ex
 panding Abstraction will explore how painting was transformed in these dec
 ades.  Many of the works are large scale and have rarely been shown before
 .
GEO:30.280773;-97.737732
LOCATION:Blanton Museum of Art (BMA)
SUMMARY:Expanding Abstraction: Pushing the Boundaries of Painting in the Am
 ericas\, 1958–1980
URL;VALUE=URI:https://calendar.utexas.edu/event/expanding_abstraction_pushi
 ng_the_boundaries_of_painting_in_the_americas_19581980
CATEGORIES:Arts & Humanities
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260914T053725Z
UID:tag:localist.com\,2008:EventInstance_32565185902882
DTSTART;VALUE=DATE:20200623
DESCRIPTION:In the early 20th century\, artists began exploring abstract\, 
 nonrepresentational forms for the first time and significantly changed the
  language of painting.  Several decades later\, abstraction continued to e
 volve robustly\, as its practitioners experimented with new materials and 
 techniques. Dripping\, pouring\, staining and even slinging paint became c
 ommon\, as did the use of non-traditional media such as acrylic and indust
 rial paints. Artists also challenged the flat\, rectangular format—long 
 the standard in painting—to create texture and dimensionality\, blurring
  the lines between painting and sculpture and foregrounding the object’s
  materiality.  The Blanton’s collection is particularly strong in painti
 ng of the 1960s and 70s from both the United States and Latin America.  Ex
 panding Abstraction will explore how painting was transformed in these dec
 ades.  Many of the works are large scale and have rarely been shown before
 .
GEO:30.280773;-97.737732
LOCATION:Blanton Museum of Art (BMA)
SUMMARY:Expanding Abstraction: Pushing the Boundaries of Painting in the Am
 ericas\, 1958–1980
URL;VALUE=URI:https://calendar.utexas.edu/event/expanding_abstraction_pushi
 ng_the_boundaries_of_painting_in_the_americas_19581980
CATEGORIES:Arts & Humanities
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260914T053725Z
UID:tag:localist.com\,2008:EventInstance_32565185905488
DTSTART;VALUE=DATE:20200624
DESCRIPTION:In the early 20th century\, artists began exploring abstract\, 
 nonrepresentational forms for the first time and significantly changed the
  language of painting.  Several decades later\, abstraction continued to e
 volve robustly\, as its practitioners experimented with new materials and 
 techniques. Dripping\, pouring\, staining and even slinging paint became c
 ommon\, as did the use of non-traditional media such as acrylic and indust
 rial paints. Artists also challenged the flat\, rectangular format—long 
 the standard in painting—to create texture and dimensionality\, blurring
  the lines between painting and sculpture and foregrounding the object’s
  materiality.  The Blanton’s collection is particularly strong in painti
 ng of the 1960s and 70s from both the United States and Latin America.  Ex
 panding Abstraction will explore how painting was transformed in these dec
 ades.  Many of the works are large scale and have rarely been shown before
 .
GEO:30.280773;-97.737732
LOCATION:Blanton Museum of Art (BMA)
SUMMARY:Expanding Abstraction: Pushing the Boundaries of Painting in the Am
 ericas\, 1958–1980
URL;VALUE=URI:https://calendar.utexas.edu/event/expanding_abstraction_pushi
 ng_the_boundaries_of_painting_in_the_americas_19581980
CATEGORIES:Arts & Humanities
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260914T053725Z
UID:tag:localist.com\,2008:EventInstance_32565185906389
DTSTART;VALUE=DATE:20200625
DESCRIPTION:In the early 20th century\, artists began exploring abstract\, 
 nonrepresentational forms for the first time and significantly changed the
  language of painting.  Several decades later\, abstraction continued to e
 volve robustly\, as its practitioners experimented with new materials and 
 techniques. Dripping\, pouring\, staining and even slinging paint became c
 ommon\, as did the use of non-traditional media such as acrylic and indust
 rial paints. Artists also challenged the flat\, rectangular format—long 
 the standard in painting—to create texture and dimensionality\, blurring
  the lines between painting and sculpture and foregrounding the object’s
  materiality.  The Blanton’s collection is particularly strong in painti
 ng of the 1960s and 70s from both the United States and Latin America.  Ex
 panding Abstraction will explore how painting was transformed in these dec
 ades.  Many of the works are large scale and have rarely been shown before
 .
GEO:30.280773;-97.737732
LOCATION:Blanton Museum of Art (BMA)
SUMMARY:Expanding Abstraction: Pushing the Boundaries of Painting in the Am
 ericas\, 1958–1980
URL;VALUE=URI:https://calendar.utexas.edu/event/expanding_abstraction_pushi
 ng_the_boundaries_of_painting_in_the_americas_19581980
CATEGORIES:Arts & Humanities
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260914T053725Z
UID:tag:localist.com\,2008:EventInstance_32565185907647
DTSTART;VALUE=DATE:20200626
DESCRIPTION:In the early 20th century\, artists began exploring abstract\, 
 nonrepresentational forms for the first time and significantly changed the
  language of painting.  Several decades later\, abstraction continued to e
 volve robustly\, as its practitioners experimented with new materials and 
 techniques. Dripping\, pouring\, staining and even slinging paint became c
 ommon\, as did the use of non-traditional media such as acrylic and indust
 rial paints. Artists also challenged the flat\, rectangular format—long 
 the standard in painting—to create texture and dimensionality\, blurring
  the lines between painting and sculpture and foregrounding the object’s
  materiality.  The Blanton’s collection is particularly strong in painti
 ng of the 1960s and 70s from both the United States and Latin America.  Ex
 panding Abstraction will explore how painting was transformed in these dec
 ades.  Many of the works are large scale and have rarely been shown before
 .
GEO:30.280773;-97.737732
LOCATION:Blanton Museum of Art (BMA)
SUMMARY:Expanding Abstraction: Pushing the Boundaries of Painting in the Am
 ericas\, 1958–1980
URL;VALUE=URI:https://calendar.utexas.edu/event/expanding_abstraction_pushi
 ng_the_boundaries_of_painting_in_the_americas_19581980
CATEGORIES:Arts & Humanities
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260914T053725Z
UID:tag:localist.com\,2008:EventInstance_32565185907770
DTSTART;VALUE=DATE:20200627
DESCRIPTION:In the early 20th century\, artists began exploring abstract\, 
 nonrepresentational forms for the first time and significantly changed the
  language of painting.  Several decades later\, abstraction continued to e
 volve robustly\, as its practitioners experimented with new materials and 
 techniques. Dripping\, pouring\, staining and even slinging paint became c
 ommon\, as did the use of non-traditional media such as acrylic and indust
 rial paints. Artists also challenged the flat\, rectangular format—long 
 the standard in painting—to create texture and dimensionality\, blurring
  the lines between painting and sculpture and foregrounding the object’s
  materiality.  The Blanton’s collection is particularly strong in painti
 ng of the 1960s and 70s from both the United States and Latin America.  Ex
 panding Abstraction will explore how painting was transformed in these dec
 ades.  Many of the works are large scale and have rarely been shown before
 .
GEO:30.280773;-97.737732
LOCATION:Blanton Museum of Art (BMA)
SUMMARY:Expanding Abstraction: Pushing the Boundaries of Painting in the Am
 ericas\, 1958–1980
URL;VALUE=URI:https://calendar.utexas.edu/event/expanding_abstraction_pushi
 ng_the_boundaries_of_painting_in_the_americas_19581980
CATEGORIES:Arts & Humanities
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260914T053725Z
UID:tag:localist.com\,2008:EventInstance_32565185910638
DTSTART;VALUE=DATE:20200628
DESCRIPTION:In the early 20th century\, artists began exploring abstract\, 
 nonrepresentational forms for the first time and significantly changed the
  language of painting.  Several decades later\, abstraction continued to e
 volve robustly\, as its practitioners experimented with new materials and 
 techniques. Dripping\, pouring\, staining and even slinging paint became c
 ommon\, as did the use of non-traditional media such as acrylic and indust
 rial paints. Artists also challenged the flat\, rectangular format—long 
 the standard in painting—to create texture and dimensionality\, blurring
  the lines between painting and sculpture and foregrounding the object’s
  materiality.  The Blanton’s collection is particularly strong in painti
 ng of the 1960s and 70s from both the United States and Latin America.  Ex
 panding Abstraction will explore how painting was transformed in these dec
 ades.  Many of the works are large scale and have rarely been shown before
 .
GEO:30.280773;-97.737732
LOCATION:Blanton Museum of Art (BMA)
SUMMARY:Expanding Abstraction: Pushing the Boundaries of Painting in the Am
 ericas\, 1958–1980
URL;VALUE=URI:https://calendar.utexas.edu/event/expanding_abstraction_pushi
 ng_the_boundaries_of_painting_in_the_americas_19581980
CATEGORIES:Arts & Humanities
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260914T053725Z
UID:tag:localist.com\,2008:EventInstance_32565185911203
DTSTART;VALUE=DATE:20200629
DESCRIPTION:In the early 20th century\, artists began exploring abstract\, 
 nonrepresentational forms for the first time and significantly changed the
  language of painting.  Several decades later\, abstraction continued to e
 volve robustly\, as its practitioners experimented with new materials and 
 techniques. Dripping\, pouring\, staining and even slinging paint became c
 ommon\, as did the use of non-traditional media such as acrylic and indust
 rial paints. Artists also challenged the flat\, rectangular format—long 
 the standard in painting—to create texture and dimensionality\, blurring
  the lines between painting and sculpture and foregrounding the object’s
  materiality.  The Blanton’s collection is particularly strong in painti
 ng of the 1960s and 70s from both the United States and Latin America.  Ex
 panding Abstraction will explore how painting was transformed in these dec
 ades.  Many of the works are large scale and have rarely been shown before
 .
GEO:30.280773;-97.737732
LOCATION:Blanton Museum of Art (BMA)
SUMMARY:Expanding Abstraction: Pushing the Boundaries of Painting in the Am
 ericas\, 1958–1980
URL;VALUE=URI:https://calendar.utexas.edu/event/expanding_abstraction_pushi
 ng_the_boundaries_of_painting_in_the_americas_19581980
CATEGORIES:Arts & Humanities
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260914T053725Z
UID:tag:localist.com\,2008:EventInstance_32565185912551
DTSTART;VALUE=DATE:20200630
DESCRIPTION:In the early 20th century\, artists began exploring abstract\, 
 nonrepresentational forms for the first time and significantly changed the
  language of painting.  Several decades later\, abstraction continued to e
 volve robustly\, as its practitioners experimented with new materials and 
 techniques. Dripping\, pouring\, staining and even slinging paint became c
 ommon\, as did the use of non-traditional media such as acrylic and indust
 rial paints. Artists also challenged the flat\, rectangular format—long 
 the standard in painting—to create texture and dimensionality\, blurring
  the lines between painting and sculpture and foregrounding the object’s
  materiality.  The Blanton’s collection is particularly strong in painti
 ng of the 1960s and 70s from both the United States and Latin America.  Ex
 panding Abstraction will explore how painting was transformed in these dec
 ades.  Many of the works are large scale and have rarely been shown before
 .
GEO:30.280773;-97.737732
LOCATION:Blanton Museum of Art (BMA)
SUMMARY:Expanding Abstraction: Pushing the Boundaries of Painting in the Am
 ericas\, 1958–1980
URL;VALUE=URI:https://calendar.utexas.edu/event/expanding_abstraction_pushi
 ng_the_boundaries_of_painting_in_the_americas_19581980
CATEGORIES:Arts & Humanities
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260914T053725Z
UID:tag:localist.com\,2008:EventInstance_32565185913161
DTSTART;VALUE=DATE:20200701
DESCRIPTION:In the early 20th century\, artists began exploring abstract\, 
 nonrepresentational forms for the first time and significantly changed the
  language of painting.  Several decades later\, abstraction continued to e
 volve robustly\, as its practitioners experimented with new materials and 
 techniques. Dripping\, pouring\, staining and even slinging paint became c
 ommon\, as did the use of non-traditional media such as acrylic and indust
 rial paints. Artists also challenged the flat\, rectangular format—long 
 the standard in painting—to create texture and dimensionality\, blurring
  the lines between painting and sculpture and foregrounding the object’s
  materiality.  The Blanton’s collection is particularly strong in painti
 ng of the 1960s and 70s from both the United States and Latin America.  Ex
 panding Abstraction will explore how painting was transformed in these dec
 ades.  Many of the works are large scale and have rarely been shown before
 .
GEO:30.280773;-97.737732
LOCATION:Blanton Museum of Art (BMA)
SUMMARY:Expanding Abstraction: Pushing the Boundaries of Painting in the Am
 ericas\, 1958–1980
URL;VALUE=URI:https://calendar.utexas.edu/event/expanding_abstraction_pushi
 ng_the_boundaries_of_painting_in_the_americas_19581980
CATEGORIES:Arts & Humanities
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260914T053725Z
UID:tag:localist.com\,2008:EventInstance_32565185915858
DTSTART;VALUE=DATE:20200702
DESCRIPTION:In the early 20th century\, artists began exploring abstract\, 
 nonrepresentational forms for the first time and significantly changed the
  language of painting.  Several decades later\, abstraction continued to e
 volve robustly\, as its practitioners experimented with new materials and 
 techniques. Dripping\, pouring\, staining and even slinging paint became c
 ommon\, as did the use of non-traditional media such as acrylic and indust
 rial paints. Artists also challenged the flat\, rectangular format—long 
 the standard in painting—to create texture and dimensionality\, blurring
  the lines between painting and sculpture and foregrounding the object’s
  materiality.  The Blanton’s collection is particularly strong in painti
 ng of the 1960s and 70s from both the United States and Latin America.  Ex
 panding Abstraction will explore how painting was transformed in these dec
 ades.  Many of the works are large scale and have rarely been shown before
 .
GEO:30.280773;-97.737732
LOCATION:Blanton Museum of Art (BMA)
SUMMARY:Expanding Abstraction: Pushing the Boundaries of Painting in the Am
 ericas\, 1958–1980
URL;VALUE=URI:https://calendar.utexas.edu/event/expanding_abstraction_pushi
 ng_the_boundaries_of_painting_in_the_americas_19581980
CATEGORIES:Arts & Humanities
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260914T053725Z
UID:tag:localist.com\,2008:EventInstance_32565185918262
DTSTART;VALUE=DATE:20200703
DESCRIPTION:In the early 20th century\, artists began exploring abstract\, 
 nonrepresentational forms for the first time and significantly changed the
  language of painting.  Several decades later\, abstraction continued to e
 volve robustly\, as its practitioners experimented with new materials and 
 techniques. Dripping\, pouring\, staining and even slinging paint became c
 ommon\, as did the use of non-traditional media such as acrylic and indust
 rial paints. Artists also challenged the flat\, rectangular format—long 
 the standard in painting—to create texture and dimensionality\, blurring
  the lines between painting and sculpture and foregrounding the object’s
  materiality.  The Blanton’s collection is particularly strong in painti
 ng of the 1960s and 70s from both the United States and Latin America.  Ex
 panding Abstraction will explore how painting was transformed in these dec
 ades.  Many of the works are large scale and have rarely been shown before
 .
GEO:30.280773;-97.737732
LOCATION:Blanton Museum of Art (BMA)
SUMMARY:Expanding Abstraction: Pushing the Boundaries of Painting in the Am
 ericas\, 1958–1980
URL;VALUE=URI:https://calendar.utexas.edu/event/expanding_abstraction_pushi
 ng_the_boundaries_of_painting_in_the_americas_19581980
CATEGORIES:Arts & Humanities
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260914T053725Z
UID:tag:localist.com\,2008:EventInstance_32565185919506
DTSTART;VALUE=DATE:20200704
DESCRIPTION:In the early 20th century\, artists began exploring abstract\, 
 nonrepresentational forms for the first time and significantly changed the
  language of painting.  Several decades later\, abstraction continued to e
 volve robustly\, as its practitioners experimented with new materials and 
 techniques. Dripping\, pouring\, staining and even slinging paint became c
 ommon\, as did the use of non-traditional media such as acrylic and indust
 rial paints. Artists also challenged the flat\, rectangular format—long 
 the standard in painting—to create texture and dimensionality\, blurring
  the lines between painting and sculpture and foregrounding the object’s
  materiality.  The Blanton’s collection is particularly strong in painti
 ng of the 1960s and 70s from both the United States and Latin America.  Ex
 panding Abstraction will explore how painting was transformed in these dec
 ades.  Many of the works are large scale and have rarely been shown before
 .
GEO:30.280773;-97.737732
LOCATION:Blanton Museum of Art (BMA)
SUMMARY:Expanding Abstraction: Pushing the Boundaries of Painting in the Am
 ericas\, 1958–1980
URL;VALUE=URI:https://calendar.utexas.edu/event/expanding_abstraction_pushi
 ng_the_boundaries_of_painting_in_the_americas_19581980
CATEGORIES:Arts & Humanities
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260914T053725Z
UID:tag:localist.com\,2008:EventInstance_32565185921892
DTSTART;VALUE=DATE:20200705
DESCRIPTION:In the early 20th century\, artists began exploring abstract\, 
 nonrepresentational forms for the first time and significantly changed the
  language of painting.  Several decades later\, abstraction continued to e
 volve robustly\, as its practitioners experimented with new materials and 
 techniques. Dripping\, pouring\, staining and even slinging paint became c
 ommon\, as did the use of non-traditional media such as acrylic and indust
 rial paints. Artists also challenged the flat\, rectangular format—long 
 the standard in painting—to create texture and dimensionality\, blurring
  the lines between painting and sculpture and foregrounding the object’s
  materiality.  The Blanton’s collection is particularly strong in painti
 ng of the 1960s and 70s from both the United States and Latin America.  Ex
 panding Abstraction will explore how painting was transformed in these dec
 ades.  Many of the works are large scale and have rarely been shown before
 .
GEO:30.280773;-97.737732
LOCATION:Blanton Museum of Art (BMA)
SUMMARY:Expanding Abstraction: Pushing the Boundaries of Painting in the Am
 ericas\, 1958–1980
URL;VALUE=URI:https://calendar.utexas.edu/event/expanding_abstraction_pushi
 ng_the_boundaries_of_painting_in_the_americas_19581980
CATEGORIES:Arts & Humanities
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260914T053725Z
UID:tag:localist.com\,2008:EventInstance_32565185922212
DTSTART;VALUE=DATE:20200706
DESCRIPTION:In the early 20th century\, artists began exploring abstract\, 
 nonrepresentational forms for the first time and significantly changed the
  language of painting.  Several decades later\, abstraction continued to e
 volve robustly\, as its practitioners experimented with new materials and 
 techniques. Dripping\, pouring\, staining and even slinging paint became c
 ommon\, as did the use of non-traditional media such as acrylic and indust
 rial paints. Artists also challenged the flat\, rectangular format—long 
 the standard in painting—to create texture and dimensionality\, blurring
  the lines between painting and sculpture and foregrounding the object’s
  materiality.  The Blanton’s collection is particularly strong in painti
 ng of the 1960s and 70s from both the United States and Latin America.  Ex
 panding Abstraction will explore how painting was transformed in these dec
 ades.  Many of the works are large scale and have rarely been shown before
 .
GEO:30.280773;-97.737732
LOCATION:Blanton Museum of Art (BMA)
SUMMARY:Expanding Abstraction: Pushing the Boundaries of Painting in the Am
 ericas\, 1958–1980
URL;VALUE=URI:https://calendar.utexas.edu/event/expanding_abstraction_pushi
 ng_the_boundaries_of_painting_in_the_americas_19581980
CATEGORIES:Arts & Humanities
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260914T053725Z
UID:tag:localist.com\,2008:EventInstance_32565185923155
DTSTART;VALUE=DATE:20200707
DESCRIPTION:In the early 20th century\, artists began exploring abstract\, 
 nonrepresentational forms for the first time and significantly changed the
  language of painting.  Several decades later\, abstraction continued to e
 volve robustly\, as its practitioners experimented with new materials and 
 techniques. Dripping\, pouring\, staining and even slinging paint became c
 ommon\, as did the use of non-traditional media such as acrylic and indust
 rial paints. Artists also challenged the flat\, rectangular format—long 
 the standard in painting—to create texture and dimensionality\, blurring
  the lines between painting and sculpture and foregrounding the object’s
  materiality.  The Blanton’s collection is particularly strong in painti
 ng of the 1960s and 70s from both the United States and Latin America.  Ex
 panding Abstraction will explore how painting was transformed in these dec
 ades.  Many of the works are large scale and have rarely been shown before
 .
GEO:30.280773;-97.737732
LOCATION:Blanton Museum of Art (BMA)
SUMMARY:Expanding Abstraction: Pushing the Boundaries of Painting in the Am
 ericas\, 1958–1980
URL;VALUE=URI:https://calendar.utexas.edu/event/expanding_abstraction_pushi
 ng_the_boundaries_of_painting_in_the_americas_19581980
CATEGORIES:Arts & Humanities
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260914T053725Z
UID:tag:localist.com\,2008:EventInstance_32565185926094
DTSTART;VALUE=DATE:20200708
DESCRIPTION:In the early 20th century\, artists began exploring abstract\, 
 nonrepresentational forms for the first time and significantly changed the
  language of painting.  Several decades later\, abstraction continued to e
 volve robustly\, as its practitioners experimented with new materials and 
 techniques. Dripping\, pouring\, staining and even slinging paint became c
 ommon\, as did the use of non-traditional media such as acrylic and indust
 rial paints. Artists also challenged the flat\, rectangular format—long 
 the standard in painting—to create texture and dimensionality\, blurring
  the lines between painting and sculpture and foregrounding the object’s
  materiality.  The Blanton’s collection is particularly strong in painti
 ng of the 1960s and 70s from both the United States and Latin America.  Ex
 panding Abstraction will explore how painting was transformed in these dec
 ades.  Many of the works are large scale and have rarely been shown before
 .
GEO:30.280773;-97.737732
LOCATION:Blanton Museum of Art (BMA)
SUMMARY:Expanding Abstraction: Pushing the Boundaries of Painting in the Am
 ericas\, 1958–1980
URL;VALUE=URI:https://calendar.utexas.edu/event/expanding_abstraction_pushi
 ng_the_boundaries_of_painting_in_the_americas_19581980
CATEGORIES:Arts & Humanities
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260914T053725Z
UID:tag:localist.com\,2008:EventInstance_32565185926516
DTSTART;VALUE=DATE:20200709
DESCRIPTION:In the early 20th century\, artists began exploring abstract\, 
 nonrepresentational forms for the first time and significantly changed the
  language of painting.  Several decades later\, abstraction continued to e
 volve robustly\, as its practitioners experimented with new materials and 
 techniques. Dripping\, pouring\, staining and even slinging paint became c
 ommon\, as did the use of non-traditional media such as acrylic and indust
 rial paints. Artists also challenged the flat\, rectangular format—long 
 the standard in painting—to create texture and dimensionality\, blurring
  the lines between painting and sculpture and foregrounding the object’s
  materiality.  The Blanton’s collection is particularly strong in painti
 ng of the 1960s and 70s from both the United States and Latin America.  Ex
 panding Abstraction will explore how painting was transformed in these dec
 ades.  Many of the works are large scale and have rarely been shown before
 .
GEO:30.280773;-97.737732
LOCATION:Blanton Museum of Art (BMA)
SUMMARY:Expanding Abstraction: Pushing the Boundaries of Painting in the Am
 ericas\, 1958–1980
URL;VALUE=URI:https://calendar.utexas.edu/event/expanding_abstraction_pushi
 ng_the_boundaries_of_painting_in_the_americas_19581980
CATEGORIES:Arts & Humanities
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260914T053725Z
UID:tag:localist.com\,2008:EventInstance_32565185928172
DTSTART;VALUE=DATE:20200710
DESCRIPTION:In the early 20th century\, artists began exploring abstract\, 
 nonrepresentational forms for the first time and significantly changed the
  language of painting.  Several decades later\, abstraction continued to e
 volve robustly\, as its practitioners experimented with new materials and 
 techniques. Dripping\, pouring\, staining and even slinging paint became c
 ommon\, as did the use of non-traditional media such as acrylic and indust
 rial paints. Artists also challenged the flat\, rectangular format—long 
 the standard in painting—to create texture and dimensionality\, blurring
  the lines between painting and sculpture and foregrounding the object’s
  materiality.  The Blanton’s collection is particularly strong in painti
 ng of the 1960s and 70s from both the United States and Latin America.  Ex
 panding Abstraction will explore how painting was transformed in these dec
 ades.  Many of the works are large scale and have rarely been shown before
 .
GEO:30.280773;-97.737732
LOCATION:Blanton Museum of Art (BMA)
SUMMARY:Expanding Abstraction: Pushing the Boundaries of Painting in the Am
 ericas\, 1958–1980
URL;VALUE=URI:https://calendar.utexas.edu/event/expanding_abstraction_pushi
 ng_the_boundaries_of_painting_in_the_americas_19581980
CATEGORIES:Arts & Humanities
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260914T053725Z
UID:tag:localist.com\,2008:EventInstance_32565185929173
DTSTART;VALUE=DATE:20200711
DESCRIPTION:In the early 20th century\, artists began exploring abstract\, 
 nonrepresentational forms for the first time and significantly changed the
  language of painting.  Several decades later\, abstraction continued to e
 volve robustly\, as its practitioners experimented with new materials and 
 techniques. Dripping\, pouring\, staining and even slinging paint became c
 ommon\, as did the use of non-traditional media such as acrylic and indust
 rial paints. Artists also challenged the flat\, rectangular format—long 
 the standard in painting—to create texture and dimensionality\, blurring
  the lines between painting and sculpture and foregrounding the object’s
  materiality.  The Blanton’s collection is particularly strong in painti
 ng of the 1960s and 70s from both the United States and Latin America.  Ex
 panding Abstraction will explore how painting was transformed in these dec
 ades.  Many of the works are large scale and have rarely been shown before
 .
GEO:30.280773;-97.737732
LOCATION:Blanton Museum of Art (BMA)
SUMMARY:Expanding Abstraction: Pushing the Boundaries of Painting in the Am
 ericas\, 1958–1980
URL;VALUE=URI:https://calendar.utexas.edu/event/expanding_abstraction_pushi
 ng_the_boundaries_of_painting_in_the_americas_19581980
CATEGORIES:Arts & Humanities
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260914T053725Z
UID:tag:localist.com\,2008:EventInstance_32565185930059
DTSTART;VALUE=DATE:20200712
DESCRIPTION:In the early 20th century\, artists began exploring abstract\, 
 nonrepresentational forms for the first time and significantly changed the
  language of painting.  Several decades later\, abstraction continued to e
 volve robustly\, as its practitioners experimented with new materials and 
 techniques. Dripping\, pouring\, staining and even slinging paint became c
 ommon\, as did the use of non-traditional media such as acrylic and indust
 rial paints. Artists also challenged the flat\, rectangular format—long 
 the standard in painting—to create texture and dimensionality\, blurring
  the lines between painting and sculpture and foregrounding the object’s
  materiality.  The Blanton’s collection is particularly strong in painti
 ng of the 1960s and 70s from both the United States and Latin America.  Ex
 panding Abstraction will explore how painting was transformed in these dec
 ades.  Many of the works are large scale and have rarely been shown before
 .
GEO:30.280773;-97.737732
LOCATION:Blanton Museum of Art (BMA)
SUMMARY:Expanding Abstraction: Pushing the Boundaries of Painting in the Am
 ericas\, 1958–1980
URL;VALUE=URI:https://calendar.utexas.edu/event/expanding_abstraction_pushi
 ng_the_boundaries_of_painting_in_the_americas_19581980
CATEGORIES:Arts & Humanities
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260914T053725Z
UID:tag:localist.com\,2008:EventInstance_32565185932132
DTSTART;VALUE=DATE:20200713
DESCRIPTION:In the early 20th century\, artists began exploring abstract\, 
 nonrepresentational forms for the first time and significantly changed the
  language of painting.  Several decades later\, abstraction continued to e
 volve robustly\, as its practitioners experimented with new materials and 
 techniques. Dripping\, pouring\, staining and even slinging paint became c
 ommon\, as did the use of non-traditional media such as acrylic and indust
 rial paints. Artists also challenged the flat\, rectangular format—long 
 the standard in painting—to create texture and dimensionality\, blurring
  the lines between painting and sculpture and foregrounding the object’s
  materiality.  The Blanton’s collection is particularly strong in painti
 ng of the 1960s and 70s from both the United States and Latin America.  Ex
 panding Abstraction will explore how painting was transformed in these dec
 ades.  Many of the works are large scale and have rarely been shown before
 .
GEO:30.280773;-97.737732
LOCATION:Blanton Museum of Art (BMA)
SUMMARY:Expanding Abstraction: Pushing the Boundaries of Painting in the Am
 ericas\, 1958–1980
URL;VALUE=URI:https://calendar.utexas.edu/event/expanding_abstraction_pushi
 ng_the_boundaries_of_painting_in_the_americas_19581980
CATEGORIES:Arts & Humanities
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260914T053725Z
UID:tag:localist.com\,2008:EventInstance_32565185932935
DTSTART;VALUE=DATE:20200714
DESCRIPTION:In the early 20th century\, artists began exploring abstract\, 
 nonrepresentational forms for the first time and significantly changed the
  language of painting.  Several decades later\, abstraction continued to e
 volve robustly\, as its practitioners experimented with new materials and 
 techniques. Dripping\, pouring\, staining and even slinging paint became c
 ommon\, as did the use of non-traditional media such as acrylic and indust
 rial paints. Artists also challenged the flat\, rectangular format—long 
 the standard in painting—to create texture and dimensionality\, blurring
  the lines between painting and sculpture and foregrounding the object’s
  materiality.  The Blanton’s collection is particularly strong in painti
 ng of the 1960s and 70s from both the United States and Latin America.  Ex
 panding Abstraction will explore how painting was transformed in these dec
 ades.  Many of the works are large scale and have rarely been shown before
 .
GEO:30.280773;-97.737732
LOCATION:Blanton Museum of Art (BMA)
SUMMARY:Expanding Abstraction: Pushing the Boundaries of Painting in the Am
 ericas\, 1958–1980
URL;VALUE=URI:https://calendar.utexas.edu/event/expanding_abstraction_pushi
 ng_the_boundaries_of_painting_in_the_americas_19581980
CATEGORIES:Arts & Humanities
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260914T053725Z
UID:tag:localist.com\,2008:EventInstance_32565185933504
DTSTART;VALUE=DATE:20200715
DESCRIPTION:In the early 20th century\, artists began exploring abstract\, 
 nonrepresentational forms for the first time and significantly changed the
  language of painting.  Several decades later\, abstraction continued to e
 volve robustly\, as its practitioners experimented with new materials and 
 techniques. Dripping\, pouring\, staining and even slinging paint became c
 ommon\, as did the use of non-traditional media such as acrylic and indust
 rial paints. Artists also challenged the flat\, rectangular format—long 
 the standard in painting—to create texture and dimensionality\, blurring
  the lines between painting and sculpture and foregrounding the object’s
  materiality.  The Blanton’s collection is particularly strong in painti
 ng of the 1960s and 70s from both the United States and Latin America.  Ex
 panding Abstraction will explore how painting was transformed in these dec
 ades.  Many of the works are large scale and have rarely been shown before
 .
GEO:30.280773;-97.737732
LOCATION:Blanton Museum of Art (BMA)
SUMMARY:Expanding Abstraction: Pushing the Boundaries of Painting in the Am
 ericas\, 1958–1980
URL;VALUE=URI:https://calendar.utexas.edu/event/expanding_abstraction_pushi
 ng_the_boundaries_of_painting_in_the_americas_19581980
CATEGORIES:Arts & Humanities
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260914T053725Z
UID:tag:localist.com\,2008:EventInstance_32565185935487
DTSTART;VALUE=DATE:20200716
DESCRIPTION:In the early 20th century\, artists began exploring abstract\, 
 nonrepresentational forms for the first time and significantly changed the
  language of painting.  Several decades later\, abstraction continued to e
 volve robustly\, as its practitioners experimented with new materials and 
 techniques. Dripping\, pouring\, staining and even slinging paint became c
 ommon\, as did the use of non-traditional media such as acrylic and indust
 rial paints. Artists also challenged the flat\, rectangular format—long 
 the standard in painting—to create texture and dimensionality\, blurring
  the lines between painting and sculpture and foregrounding the object’s
  materiality.  The Blanton’s collection is particularly strong in painti
 ng of the 1960s and 70s from both the United States and Latin America.  Ex
 panding Abstraction will explore how painting was transformed in these dec
 ades.  Many of the works are large scale and have rarely been shown before
 .
GEO:30.280773;-97.737732
LOCATION:Blanton Museum of Art (BMA)
SUMMARY:Expanding Abstraction: Pushing the Boundaries of Painting in the Am
 ericas\, 1958–1980
URL;VALUE=URI:https://calendar.utexas.edu/event/expanding_abstraction_pushi
 ng_the_boundaries_of_painting_in_the_americas_19581980
CATEGORIES:Arts & Humanities
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260914T053725Z
UID:tag:localist.com\,2008:EventInstance_32565185936444
DTSTART;VALUE=DATE:20200717
DESCRIPTION:In the early 20th century\, artists began exploring abstract\, 
 nonrepresentational forms for the first time and significantly changed the
  language of painting.  Several decades later\, abstraction continued to e
 volve robustly\, as its practitioners experimented with new materials and 
 techniques. Dripping\, pouring\, staining and even slinging paint became c
 ommon\, as did the use of non-traditional media such as acrylic and indust
 rial paints. Artists also challenged the flat\, rectangular format—long 
 the standard in painting—to create texture and dimensionality\, blurring
  the lines between painting and sculpture and foregrounding the object’s
  materiality.  The Blanton’s collection is particularly strong in painti
 ng of the 1960s and 70s from both the United States and Latin America.  Ex
 panding Abstraction will explore how painting was transformed in these dec
 ades.  Many of the works are large scale and have rarely been shown before
 .
GEO:30.280773;-97.737732
LOCATION:Blanton Museum of Art (BMA)
SUMMARY:Expanding Abstraction: Pushing the Boundaries of Painting in the Am
 ericas\, 1958–1980
URL;VALUE=URI:https://calendar.utexas.edu/event/expanding_abstraction_pushi
 ng_the_boundaries_of_painting_in_the_americas_19581980
CATEGORIES:Arts & Humanities
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260914T053725Z
UID:tag:localist.com\,2008:EventInstance_32565185937737
DTSTART;VALUE=DATE:20200718
DESCRIPTION:In the early 20th century\, artists began exploring abstract\, 
 nonrepresentational forms for the first time and significantly changed the
  language of painting.  Several decades later\, abstraction continued to e
 volve robustly\, as its practitioners experimented with new materials and 
 techniques. Dripping\, pouring\, staining and even slinging paint became c
 ommon\, as did the use of non-traditional media such as acrylic and indust
 rial paints. Artists also challenged the flat\, rectangular format—long 
 the standard in painting—to create texture and dimensionality\, blurring
  the lines between painting and sculpture and foregrounding the object’s
  materiality.  The Blanton’s collection is particularly strong in painti
 ng of the 1960s and 70s from both the United States and Latin America.  Ex
 panding Abstraction will explore how painting was transformed in these dec
 ades.  Many of the works are large scale and have rarely been shown before
 .
GEO:30.280773;-97.737732
LOCATION:Blanton Museum of Art (BMA)
SUMMARY:Expanding Abstraction: Pushing the Boundaries of Painting in the Am
 ericas\, 1958–1980
URL;VALUE=URI:https://calendar.utexas.edu/event/expanding_abstraction_pushi
 ng_the_boundaries_of_painting_in_the_americas_19581980
CATEGORIES:Arts & Humanities
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260914T053725Z
UID:tag:localist.com\,2008:EventInstance_32565185939316
DTSTART;VALUE=DATE:20200719
DESCRIPTION:In the early 20th century\, artists began exploring abstract\, 
 nonrepresentational forms for the first time and significantly changed the
  language of painting.  Several decades later\, abstraction continued to e
 volve robustly\, as its practitioners experimented with new materials and 
 techniques. Dripping\, pouring\, staining and even slinging paint became c
 ommon\, as did the use of non-traditional media such as acrylic and indust
 rial paints. Artists also challenged the flat\, rectangular format—long 
 the standard in painting—to create texture and dimensionality\, blurring
  the lines between painting and sculpture and foregrounding the object’s
  materiality.  The Blanton’s collection is particularly strong in painti
 ng of the 1960s and 70s from both the United States and Latin America.  Ex
 panding Abstraction will explore how painting was transformed in these dec
 ades.  Many of the works are large scale and have rarely been shown before
 .
GEO:30.280773;-97.737732
LOCATION:Blanton Museum of Art (BMA)
SUMMARY:Expanding Abstraction: Pushing the Boundaries of Painting in the Am
 ericas\, 1958–1980
URL;VALUE=URI:https://calendar.utexas.edu/event/expanding_abstraction_pushi
 ng_the_boundaries_of_painting_in_the_americas_19581980
CATEGORIES:Arts & Humanities
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260914T053725Z
UID:tag:localist.com\,2008:EventInstance_32565185940642
DTSTART;VALUE=DATE:20200720
DESCRIPTION:In the early 20th century\, artists began exploring abstract\, 
 nonrepresentational forms for the first time and significantly changed the
  language of painting.  Several decades later\, abstraction continued to e
 volve robustly\, as its practitioners experimented with new materials and 
 techniques. Dripping\, pouring\, staining and even slinging paint became c
 ommon\, as did the use of non-traditional media such as acrylic and indust
 rial paints. Artists also challenged the flat\, rectangular format—long 
 the standard in painting—to create texture and dimensionality\, blurring
  the lines between painting and sculpture and foregrounding the object’s
  materiality.  The Blanton’s collection is particularly strong in painti
 ng of the 1960s and 70s from both the United States and Latin America.  Ex
 panding Abstraction will explore how painting was transformed in these dec
 ades.  Many of the works are large scale and have rarely been shown before
 .
GEO:30.280773;-97.737732
LOCATION:Blanton Museum of Art (BMA)
SUMMARY:Expanding Abstraction: Pushing the Boundaries of Painting in the Am
 ericas\, 1958–1980
URL;VALUE=URI:https://calendar.utexas.edu/event/expanding_abstraction_pushi
 ng_the_boundaries_of_painting_in_the_americas_19581980
CATEGORIES:Arts & Humanities
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260914T053725Z
UID:tag:localist.com\,2008:EventInstance_32565185943193
DTSTART;VALUE=DATE:20200721
DESCRIPTION:In the early 20th century\, artists began exploring abstract\, 
 nonrepresentational forms for the first time and significantly changed the
  language of painting.  Several decades later\, abstraction continued to e
 volve robustly\, as its practitioners experimented with new materials and 
 techniques. Dripping\, pouring\, staining and even slinging paint became c
 ommon\, as did the use of non-traditional media such as acrylic and indust
 rial paints. Artists also challenged the flat\, rectangular format—long 
 the standard in painting—to create texture and dimensionality\, blurring
  the lines between painting and sculpture and foregrounding the object’s
  materiality.  The Blanton’s collection is particularly strong in painti
 ng of the 1960s and 70s from both the United States and Latin America.  Ex
 panding Abstraction will explore how painting was transformed in these dec
 ades.  Many of the works are large scale and have rarely been shown before
 .
GEO:30.280773;-97.737732
LOCATION:Blanton Museum of Art (BMA)
SUMMARY:Expanding Abstraction: Pushing the Boundaries of Painting in the Am
 ericas\, 1958–1980
URL;VALUE=URI:https://calendar.utexas.edu/event/expanding_abstraction_pushi
 ng_the_boundaries_of_painting_in_the_americas_19581980
CATEGORIES:Arts & Humanities
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260914T053725Z
UID:tag:localist.com\,2008:EventInstance_32565185945469
DTSTART;VALUE=DATE:20200722
DESCRIPTION:In the early 20th century\, artists began exploring abstract\, 
 nonrepresentational forms for the first time and significantly changed the
  language of painting.  Several decades later\, abstraction continued to e
 volve robustly\, as its practitioners experimented with new materials and 
 techniques. Dripping\, pouring\, staining and even slinging paint became c
 ommon\, as did the use of non-traditional media such as acrylic and indust
 rial paints. Artists also challenged the flat\, rectangular format—long 
 the standard in painting—to create texture and dimensionality\, blurring
  the lines between painting and sculpture and foregrounding the object’s
  materiality.  The Blanton’s collection is particularly strong in painti
 ng of the 1960s and 70s from both the United States and Latin America.  Ex
 panding Abstraction will explore how painting was transformed in these dec
 ades.  Many of the works are large scale and have rarely been shown before
 .
GEO:30.280773;-97.737732
LOCATION:Blanton Museum of Art (BMA)
SUMMARY:Expanding Abstraction: Pushing the Boundaries of Painting in the Am
 ericas\, 1958–1980
URL;VALUE=URI:https://calendar.utexas.edu/event/expanding_abstraction_pushi
 ng_the_boundaries_of_painting_in_the_americas_19581980
CATEGORIES:Arts & Humanities
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260914T053725Z
UID:tag:localist.com\,2008:EventInstance_32565185945773
DTSTART;VALUE=DATE:20200723
DESCRIPTION:In the early 20th century\, artists began exploring abstract\, 
 nonrepresentational forms for the first time and significantly changed the
  language of painting.  Several decades later\, abstraction continued to e
 volve robustly\, as its practitioners experimented with new materials and 
 techniques. Dripping\, pouring\, staining and even slinging paint became c
 ommon\, as did the use of non-traditional media such as acrylic and indust
 rial paints. Artists also challenged the flat\, rectangular format—long 
 the standard in painting—to create texture and dimensionality\, blurring
  the lines between painting and sculpture and foregrounding the object’s
  materiality.  The Blanton’s collection is particularly strong in painti
 ng of the 1960s and 70s from both the United States and Latin America.  Ex
 panding Abstraction will explore how painting was transformed in these dec
 ades.  Many of the works are large scale and have rarely been shown before
 .
GEO:30.280773;-97.737732
LOCATION:Blanton Museum of Art (BMA)
SUMMARY:Expanding Abstraction: Pushing the Boundaries of Painting in the Am
 ericas\, 1958–1980
URL;VALUE=URI:https://calendar.utexas.edu/event/expanding_abstraction_pushi
 ng_the_boundaries_of_painting_in_the_americas_19581980
CATEGORIES:Arts & Humanities
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260914T053725Z
UID:tag:localist.com\,2008:EventInstance_32565185948438
DTSTART;VALUE=DATE:20200724
DESCRIPTION:In the early 20th century\, artists began exploring abstract\, 
 nonrepresentational forms for the first time and significantly changed the
  language of painting.  Several decades later\, abstraction continued to e
 volve robustly\, as its practitioners experimented with new materials and 
 techniques. Dripping\, pouring\, staining and even slinging paint became c
 ommon\, as did the use of non-traditional media such as acrylic and indust
 rial paints. Artists also challenged the flat\, rectangular format—long 
 the standard in painting—to create texture and dimensionality\, blurring
  the lines between painting and sculpture and foregrounding the object’s
  materiality.  The Blanton’s collection is particularly strong in painti
 ng of the 1960s and 70s from both the United States and Latin America.  Ex
 panding Abstraction will explore how painting was transformed in these dec
 ades.  Many of the works are large scale and have rarely been shown before
 .
GEO:30.280773;-97.737732
LOCATION:Blanton Museum of Art (BMA)
SUMMARY:Expanding Abstraction: Pushing the Boundaries of Painting in the Am
 ericas\, 1958–1980
URL;VALUE=URI:https://calendar.utexas.edu/event/expanding_abstraction_pushi
 ng_the_boundaries_of_painting_in_the_americas_19581980
CATEGORIES:Arts & Humanities
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260914T053725Z
UID:tag:localist.com\,2008:EventInstance_32565185949071
DTSTART;VALUE=DATE:20200725
DESCRIPTION:In the early 20th century\, artists began exploring abstract\, 
 nonrepresentational forms for the first time and significantly changed the
  language of painting.  Several decades later\, abstraction continued to e
 volve robustly\, as its practitioners experimented with new materials and 
 techniques. Dripping\, pouring\, staining and even slinging paint became c
 ommon\, as did the use of non-traditional media such as acrylic and indust
 rial paints. Artists also challenged the flat\, rectangular format—long 
 the standard in painting—to create texture and dimensionality\, blurring
  the lines between painting and sculpture and foregrounding the object’s
  materiality.  The Blanton’s collection is particularly strong in painti
 ng of the 1960s and 70s from both the United States and Latin America.  Ex
 panding Abstraction will explore how painting was transformed in these dec
 ades.  Many of the works are large scale and have rarely been shown before
 .
GEO:30.280773;-97.737732
LOCATION:Blanton Museum of Art (BMA)
SUMMARY:Expanding Abstraction: Pushing the Boundaries of Painting in the Am
 ericas\, 1958–1980
URL;VALUE=URI:https://calendar.utexas.edu/event/expanding_abstraction_pushi
 ng_the_boundaries_of_painting_in_the_americas_19581980
CATEGORIES:Arts & Humanities
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260914T053725Z
UID:tag:localist.com\,2008:EventInstance_32565185951986
DTSTART;VALUE=DATE:20200726
DESCRIPTION:In the early 20th century\, artists began exploring abstract\, 
 nonrepresentational forms for the first time and significantly changed the
  language of painting.  Several decades later\, abstraction continued to e
 volve robustly\, as its practitioners experimented with new materials and 
 techniques. Dripping\, pouring\, staining and even slinging paint became c
 ommon\, as did the use of non-traditional media such as acrylic and indust
 rial paints. Artists also challenged the flat\, rectangular format—long 
 the standard in painting—to create texture and dimensionality\, blurring
  the lines between painting and sculpture and foregrounding the object’s
  materiality.  The Blanton’s collection is particularly strong in painti
 ng of the 1960s and 70s from both the United States and Latin America.  Ex
 panding Abstraction will explore how painting was transformed in these dec
 ades.  Many of the works are large scale and have rarely been shown before
 .
GEO:30.280773;-97.737732
LOCATION:Blanton Museum of Art (BMA)
SUMMARY:Expanding Abstraction: Pushing the Boundaries of Painting in the Am
 ericas\, 1958–1980
URL;VALUE=URI:https://calendar.utexas.edu/event/expanding_abstraction_pushi
 ng_the_boundaries_of_painting_in_the_americas_19581980
CATEGORIES:Arts & Humanities
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260914T053725Z
UID:tag:localist.com\,2008:EventInstance_32565185953611
DTSTART;VALUE=DATE:20200727
DESCRIPTION:In the early 20th century\, artists began exploring abstract\, 
 nonrepresentational forms for the first time and significantly changed the
  language of painting.  Several decades later\, abstraction continued to e
 volve robustly\, as its practitioners experimented with new materials and 
 techniques. Dripping\, pouring\, staining and even slinging paint became c
 ommon\, as did the use of non-traditional media such as acrylic and indust
 rial paints. Artists also challenged the flat\, rectangular format—long 
 the standard in painting—to create texture and dimensionality\, blurring
  the lines between painting and sculpture and foregrounding the object’s
  materiality.  The Blanton’s collection is particularly strong in painti
 ng of the 1960s and 70s from both the United States and Latin America.  Ex
 panding Abstraction will explore how painting was transformed in these dec
 ades.  Many of the works are large scale and have rarely been shown before
 .
GEO:30.280773;-97.737732
LOCATION:Blanton Museum of Art (BMA)
SUMMARY:Expanding Abstraction: Pushing the Boundaries of Painting in the Am
 ericas\, 1958–1980
URL;VALUE=URI:https://calendar.utexas.edu/event/expanding_abstraction_pushi
 ng_the_boundaries_of_painting_in_the_americas_19581980
CATEGORIES:Arts & Humanities
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260914T053725Z
UID:tag:localist.com\,2008:EventInstance_32565185954555
DTSTART;VALUE=DATE:20200728
DESCRIPTION:In the early 20th century\, artists began exploring abstract\, 
 nonrepresentational forms for the first time and significantly changed the
  language of painting.  Several decades later\, abstraction continued to e
 volve robustly\, as its practitioners experimented with new materials and 
 techniques. Dripping\, pouring\, staining and even slinging paint became c
 ommon\, as did the use of non-traditional media such as acrylic and indust
 rial paints. Artists also challenged the flat\, rectangular format—long 
 the standard in painting—to create texture and dimensionality\, blurring
  the lines between painting and sculpture and foregrounding the object’s
  materiality.  The Blanton’s collection is particularly strong in painti
 ng of the 1960s and 70s from both the United States and Latin America.  Ex
 panding Abstraction will explore how painting was transformed in these dec
 ades.  Many of the works are large scale and have rarely been shown before
 .
GEO:30.280773;-97.737732
LOCATION:Blanton Museum of Art (BMA)
SUMMARY:Expanding Abstraction: Pushing the Boundaries of Painting in the Am
 ericas\, 1958–1980
URL;VALUE=URI:https://calendar.utexas.edu/event/expanding_abstraction_pushi
 ng_the_boundaries_of_painting_in_the_americas_19581980
CATEGORIES:Arts & Humanities
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260914T053725Z
UID:tag:localist.com\,2008:EventInstance_32565185956710
DTSTART;VALUE=DATE:20200729
DESCRIPTION:In the early 20th century\, artists began exploring abstract\, 
 nonrepresentational forms for the first time and significantly changed the
  language of painting.  Several decades later\, abstraction continued to e
 volve robustly\, as its practitioners experimented with new materials and 
 techniques. Dripping\, pouring\, staining and even slinging paint became c
 ommon\, as did the use of non-traditional media such as acrylic and indust
 rial paints. Artists also challenged the flat\, rectangular format—long 
 the standard in painting—to create texture and dimensionality\, blurring
  the lines between painting and sculpture and foregrounding the object’s
  materiality.  The Blanton’s collection is particularly strong in painti
 ng of the 1960s and 70s from both the United States and Latin America.  Ex
 panding Abstraction will explore how painting was transformed in these dec
 ades.  Many of the works are large scale and have rarely been shown before
 .
GEO:30.280773;-97.737732
LOCATION:Blanton Museum of Art (BMA)
SUMMARY:Expanding Abstraction: Pushing the Boundaries of Painting in the Am
 ericas\, 1958–1980
URL;VALUE=URI:https://calendar.utexas.edu/event/expanding_abstraction_pushi
 ng_the_boundaries_of_painting_in_the_americas_19581980
CATEGORIES:Arts & Humanities
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260914T053725Z
UID:tag:localist.com\,2008:EventInstance_32565185958570
DTSTART;VALUE=DATE:20200730
DESCRIPTION:In the early 20th century\, artists began exploring abstract\, 
 nonrepresentational forms for the first time and significantly changed the
  language of painting.  Several decades later\, abstraction continued to e
 volve robustly\, as its practitioners experimented with new materials and 
 techniques. Dripping\, pouring\, staining and even slinging paint became c
 ommon\, as did the use of non-traditional media such as acrylic and indust
 rial paints. Artists also challenged the flat\, rectangular format—long 
 the standard in painting—to create texture and dimensionality\, blurring
  the lines between painting and sculpture and foregrounding the object’s
  materiality.  The Blanton’s collection is particularly strong in painti
 ng of the 1960s and 70s from both the United States and Latin America.  Ex
 panding Abstraction will explore how painting was transformed in these dec
 ades.  Many of the works are large scale and have rarely been shown before
 .
GEO:30.280773;-97.737732
LOCATION:Blanton Museum of Art (BMA)
SUMMARY:Expanding Abstraction: Pushing the Boundaries of Painting in the Am
 ericas\, 1958–1980
URL;VALUE=URI:https://calendar.utexas.edu/event/expanding_abstraction_pushi
 ng_the_boundaries_of_painting_in_the_americas_19581980
CATEGORIES:Arts & Humanities
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260914T053725Z
UID:tag:localist.com\,2008:EventInstance_32565185959282
DTSTART;VALUE=DATE:20200731
DESCRIPTION:In the early 20th century\, artists began exploring abstract\, 
 nonrepresentational forms for the first time and significantly changed the
  language of painting.  Several decades later\, abstraction continued to e
 volve robustly\, as its practitioners experimented with new materials and 
 techniques. Dripping\, pouring\, staining and even slinging paint became c
 ommon\, as did the use of non-traditional media such as acrylic and indust
 rial paints. Artists also challenged the flat\, rectangular format—long 
 the standard in painting—to create texture and dimensionality\, blurring
  the lines between painting and sculpture and foregrounding the object’s
  materiality.  The Blanton’s collection is particularly strong in painti
 ng of the 1960s and 70s from both the United States and Latin America.  Ex
 panding Abstraction will explore how painting was transformed in these dec
 ades.  Many of the works are large scale and have rarely been shown before
 .
GEO:30.280773;-97.737732
LOCATION:Blanton Museum of Art (BMA)
SUMMARY:Expanding Abstraction: Pushing the Boundaries of Painting in the Am
 ericas\, 1958–1980
URL;VALUE=URI:https://calendar.utexas.edu/event/expanding_abstraction_pushi
 ng_the_boundaries_of_painting_in_the_americas_19581980
CATEGORIES:Arts & Humanities
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260914T053725Z
UID:tag:localist.com\,2008:EventInstance_32565185960832
DTSTART;VALUE=DATE:20200801
DESCRIPTION:In the early 20th century\, artists began exploring abstract\, 
 nonrepresentational forms for the first time and significantly changed the
  language of painting.  Several decades later\, abstraction continued to e
 volve robustly\, as its practitioners experimented with new materials and 
 techniques. Dripping\, pouring\, staining and even slinging paint became c
 ommon\, as did the use of non-traditional media such as acrylic and indust
 rial paints. Artists also challenged the flat\, rectangular format—long 
 the standard in painting—to create texture and dimensionality\, blurring
  the lines between painting and sculpture and foregrounding the object’s
  materiality.  The Blanton’s collection is particularly strong in painti
 ng of the 1960s and 70s from both the United States and Latin America.  Ex
 panding Abstraction will explore how painting was transformed in these dec
 ades.  Many of the works are large scale and have rarely been shown before
 .
GEO:30.280773;-97.737732
LOCATION:Blanton Museum of Art (BMA)
SUMMARY:Expanding Abstraction: Pushing the Boundaries of Painting in the Am
 ericas\, 1958–1980
URL;VALUE=URI:https://calendar.utexas.edu/event/expanding_abstraction_pushi
 ng_the_boundaries_of_painting_in_the_americas_19581980
CATEGORIES:Arts & Humanities
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260914T053725Z
UID:tag:localist.com\,2008:EventInstance_32565185961441
DTSTART;VALUE=DATE:20200802
DESCRIPTION:In the early 20th century\, artists began exploring abstract\, 
 nonrepresentational forms for the first time and significantly changed the
  language of painting.  Several decades later\, abstraction continued to e
 volve robustly\, as its practitioners experimented with new materials and 
 techniques. Dripping\, pouring\, staining and even slinging paint became c
 ommon\, as did the use of non-traditional media such as acrylic and indust
 rial paints. Artists also challenged the flat\, rectangular format—long 
 the standard in painting—to create texture and dimensionality\, blurring
  the lines between painting and sculpture and foregrounding the object’s
  materiality.  The Blanton’s collection is particularly strong in painti
 ng of the 1960s and 70s from both the United States and Latin America.  Ex
 panding Abstraction will explore how painting was transformed in these dec
 ades.  Many of the works are large scale and have rarely been shown before
 .
GEO:30.280773;-97.737732
LOCATION:Blanton Museum of Art (BMA)
SUMMARY:Expanding Abstraction: Pushing the Boundaries of Painting in the Am
 ericas\, 1958–1980
URL;VALUE=URI:https://calendar.utexas.edu/event/expanding_abstraction_pushi
 ng_the_boundaries_of_painting_in_the_americas_19581980
CATEGORIES:Arts & Humanities
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260914T053725Z
UID:tag:localist.com\,2008:EventInstance_32565185963365
DTSTART;VALUE=DATE:20200803
DESCRIPTION:In the early 20th century\, artists began exploring abstract\, 
 nonrepresentational forms for the first time and significantly changed the
  language of painting.  Several decades later\, abstraction continued to e
 volve robustly\, as its practitioners experimented with new materials and 
 techniques. Dripping\, pouring\, staining and even slinging paint became c
 ommon\, as did the use of non-traditional media such as acrylic and indust
 rial paints. Artists also challenged the flat\, rectangular format—long 
 the standard in painting—to create texture and dimensionality\, blurring
  the lines between painting and sculpture and foregrounding the object’s
  materiality.  The Blanton’s collection is particularly strong in painti
 ng of the 1960s and 70s from both the United States and Latin America.  Ex
 panding Abstraction will explore how painting was transformed in these dec
 ades.  Many of the works are large scale and have rarely been shown before
 .
GEO:30.280773;-97.737732
LOCATION:Blanton Museum of Art (BMA)
SUMMARY:Expanding Abstraction: Pushing the Boundaries of Painting in the Am
 ericas\, 1958–1980
URL;VALUE=URI:https://calendar.utexas.edu/event/expanding_abstraction_pushi
 ng_the_boundaries_of_painting_in_the_americas_19581980
CATEGORIES:Arts & Humanities
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260914T053725Z
UID:tag:localist.com\,2008:EventInstance_32565185965048
DTSTART;VALUE=DATE:20200804
DESCRIPTION:In the early 20th century\, artists began exploring abstract\, 
 nonrepresentational forms for the first time and significantly changed the
  language of painting.  Several decades later\, abstraction continued to e
 volve robustly\, as its practitioners experimented with new materials and 
 techniques. Dripping\, pouring\, staining and even slinging paint became c
 ommon\, as did the use of non-traditional media such as acrylic and indust
 rial paints. Artists also challenged the flat\, rectangular format—long 
 the standard in painting—to create texture and dimensionality\, blurring
  the lines between painting and sculpture and foregrounding the object’s
  materiality.  The Blanton’s collection is particularly strong in painti
 ng of the 1960s and 70s from both the United States and Latin America.  Ex
 panding Abstraction will explore how painting was transformed in these dec
 ades.  Many of the works are large scale and have rarely been shown before
 .
GEO:30.280773;-97.737732
LOCATION:Blanton Museum of Art (BMA)
SUMMARY:Expanding Abstraction: Pushing the Boundaries of Painting in the Am
 ericas\, 1958–1980
URL;VALUE=URI:https://calendar.utexas.edu/event/expanding_abstraction_pushi
 ng_the_boundaries_of_painting_in_the_americas_19581980
CATEGORIES:Arts & Humanities
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260914T053725Z
UID:tag:localist.com\,2008:EventInstance_32565185965626
DTSTART;VALUE=DATE:20200805
DESCRIPTION:In the early 20th century\, artists began exploring abstract\, 
 nonrepresentational forms for the first time and significantly changed the
  language of painting.  Several decades later\, abstraction continued to e
 volve robustly\, as its practitioners experimented with new materials and 
 techniques. Dripping\, pouring\, staining and even slinging paint became c
 ommon\, as did the use of non-traditional media such as acrylic and indust
 rial paints. Artists also challenged the flat\, rectangular format—long 
 the standard in painting—to create texture and dimensionality\, blurring
  the lines between painting and sculpture and foregrounding the object’s
  materiality.  The Blanton’s collection is particularly strong in painti
 ng of the 1960s and 70s from both the United States and Latin America.  Ex
 panding Abstraction will explore how painting was transformed in these dec
 ades.  Many of the works are large scale and have rarely been shown before
 .
GEO:30.280773;-97.737732
LOCATION:Blanton Museum of Art (BMA)
SUMMARY:Expanding Abstraction: Pushing the Boundaries of Painting in the Am
 ericas\, 1958–1980
URL;VALUE=URI:https://calendar.utexas.edu/event/expanding_abstraction_pushi
 ng_the_boundaries_of_painting_in_the_americas_19581980
CATEGORIES:Arts & Humanities
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260914T053725Z
UID:tag:localist.com\,2008:EventInstance_32565185966586
DTSTART;VALUE=DATE:20200806
DESCRIPTION:In the early 20th century\, artists began exploring abstract\, 
 nonrepresentational forms for the first time and significantly changed the
  language of painting.  Several decades later\, abstraction continued to e
 volve robustly\, as its practitioners experimented with new materials and 
 techniques. Dripping\, pouring\, staining and even slinging paint became c
 ommon\, as did the use of non-traditional media such as acrylic and indust
 rial paints. Artists also challenged the flat\, rectangular format—long 
 the standard in painting—to create texture and dimensionality\, blurring
  the lines between painting and sculpture and foregrounding the object’s
  materiality.  The Blanton’s collection is particularly strong in painti
 ng of the 1960s and 70s from both the United States and Latin America.  Ex
 panding Abstraction will explore how painting was transformed in these dec
 ades.  Many of the works are large scale and have rarely been shown before
 .
GEO:30.280773;-97.737732
LOCATION:Blanton Museum of Art (BMA)
SUMMARY:Expanding Abstraction: Pushing the Boundaries of Painting in the Am
 ericas\, 1958–1980
URL;VALUE=URI:https://calendar.utexas.edu/event/expanding_abstraction_pushi
 ng_the_boundaries_of_painting_in_the_americas_19581980
CATEGORIES:Arts & Humanities
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260914T053725Z
UID:tag:localist.com\,2008:EventInstance_32565185968553
DTSTART;VALUE=DATE:20200807
DESCRIPTION:In the early 20th century\, artists began exploring abstract\, 
 nonrepresentational forms for the first time and significantly changed the
  language of painting.  Several decades later\, abstraction continued to e
 volve robustly\, as its practitioners experimented with new materials and 
 techniques. Dripping\, pouring\, staining and even slinging paint became c
 ommon\, as did the use of non-traditional media such as acrylic and indust
 rial paints. Artists also challenged the flat\, rectangular format—long 
 the standard in painting—to create texture and dimensionality\, blurring
  the lines between painting and sculpture and foregrounding the object’s
  materiality.  The Blanton’s collection is particularly strong in painti
 ng of the 1960s and 70s from both the United States and Latin America.  Ex
 panding Abstraction will explore how painting was transformed in these dec
 ades.  Many of the works are large scale and have rarely been shown before
 .
GEO:30.280773;-97.737732
LOCATION:Blanton Museum of Art (BMA)
SUMMARY:Expanding Abstraction: Pushing the Boundaries of Painting in the Am
 ericas\, 1958–1980
URL;VALUE=URI:https://calendar.utexas.edu/event/expanding_abstraction_pushi
 ng_the_boundaries_of_painting_in_the_americas_19581980
CATEGORIES:Arts & Humanities
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260914T053725Z
UID:tag:localist.com\,2008:EventInstance_32565185969475
DTSTART;VALUE=DATE:20200808
DESCRIPTION:In the early 20th century\, artists began exploring abstract\, 
 nonrepresentational forms for the first time and significantly changed the
  language of painting.  Several decades later\, abstraction continued to e
 volve robustly\, as its practitioners experimented with new materials and 
 techniques. Dripping\, pouring\, staining and even slinging paint became c
 ommon\, as did the use of non-traditional media such as acrylic and indust
 rial paints. Artists also challenged the flat\, rectangular format—long 
 the standard in painting—to create texture and dimensionality\, blurring
  the lines between painting and sculpture and foregrounding the object’s
  materiality.  The Blanton’s collection is particularly strong in painti
 ng of the 1960s and 70s from both the United States and Latin America.  Ex
 panding Abstraction will explore how painting was transformed in these dec
 ades.  Many of the works are large scale and have rarely been shown before
 .
GEO:30.280773;-97.737732
LOCATION:Blanton Museum of Art (BMA)
SUMMARY:Expanding Abstraction: Pushing the Boundaries of Painting in the Am
 ericas\, 1958–1980
URL;VALUE=URI:https://calendar.utexas.edu/event/expanding_abstraction_pushi
 ng_the_boundaries_of_painting_in_the_americas_19581980
CATEGORIES:Arts & Humanities
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260914T053725Z
UID:tag:localist.com\,2008:EventInstance_32565185970661
DTSTART;VALUE=DATE:20200809
DESCRIPTION:In the early 20th century\, artists began exploring abstract\, 
 nonrepresentational forms for the first time and significantly changed the
  language of painting.  Several decades later\, abstraction continued to e
 volve robustly\, as its practitioners experimented with new materials and 
 techniques. Dripping\, pouring\, staining and even slinging paint became c
 ommon\, as did the use of non-traditional media such as acrylic and indust
 rial paints. Artists also challenged the flat\, rectangular format—long 
 the standard in painting—to create texture and dimensionality\, blurring
  the lines between painting and sculpture and foregrounding the object’s
  materiality.  The Blanton’s collection is particularly strong in painti
 ng of the 1960s and 70s from both the United States and Latin America.  Ex
 panding Abstraction will explore how painting was transformed in these dec
 ades.  Many of the works are large scale and have rarely been shown before
 .
GEO:30.280773;-97.737732
LOCATION:Blanton Museum of Art (BMA)
SUMMARY:Expanding Abstraction: Pushing the Boundaries of Painting in the Am
 ericas\, 1958–1980
URL;VALUE=URI:https://calendar.utexas.edu/event/expanding_abstraction_pushi
 ng_the_boundaries_of_painting_in_the_americas_19581980
CATEGORIES:Arts & Humanities
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260914T053725Z
UID:tag:localist.com\,2008:EventInstance_32565185971636
DTSTART;VALUE=DATE:20200810
DESCRIPTION:In the early 20th century\, artists began exploring abstract\, 
 nonrepresentational forms for the first time and significantly changed the
  language of painting.  Several decades later\, abstraction continued to e
 volve robustly\, as its practitioners experimented with new materials and 
 techniques. Dripping\, pouring\, staining and even slinging paint became c
 ommon\, as did the use of non-traditional media such as acrylic and indust
 rial paints. Artists also challenged the flat\, rectangular format—long 
 the standard in painting—to create texture and dimensionality\, blurring
  the lines between painting and sculpture and foregrounding the object’s
  materiality.  The Blanton’s collection is particularly strong in painti
 ng of the 1960s and 70s from both the United States and Latin America.  Ex
 panding Abstraction will explore how painting was transformed in these dec
 ades.  Many of the works are large scale and have rarely been shown before
 .
GEO:30.280773;-97.737732
LOCATION:Blanton Museum of Art (BMA)
SUMMARY:Expanding Abstraction: Pushing the Boundaries of Painting in the Am
 ericas\, 1958–1980
URL;VALUE=URI:https://calendar.utexas.edu/event/expanding_abstraction_pushi
 ng_the_boundaries_of_painting_in_the_americas_19581980
CATEGORIES:Arts & Humanities
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260914T053725Z
UID:tag:localist.com\,2008:EventInstance_32565185973121
DTSTART;VALUE=DATE:20200811
DESCRIPTION:In the early 20th century\, artists began exploring abstract\, 
 nonrepresentational forms for the first time and significantly changed the
  language of painting.  Several decades later\, abstraction continued to e
 volve robustly\, as its practitioners experimented with new materials and 
 techniques. Dripping\, pouring\, staining and even slinging paint became c
 ommon\, as did the use of non-traditional media such as acrylic and indust
 rial paints. Artists also challenged the flat\, rectangular format—long 
 the standard in painting—to create texture and dimensionality\, blurring
  the lines between painting and sculpture and foregrounding the object’s
  materiality.  The Blanton’s collection is particularly strong in painti
 ng of the 1960s and 70s from both the United States and Latin America.  Ex
 panding Abstraction will explore how painting was transformed in these dec
 ades.  Many of the works are large scale and have rarely been shown before
 .
GEO:30.280773;-97.737732
LOCATION:Blanton Museum of Art (BMA)
SUMMARY:Expanding Abstraction: Pushing the Boundaries of Painting in the Am
 ericas\, 1958–1980
URL;VALUE=URI:https://calendar.utexas.edu/event/expanding_abstraction_pushi
 ng_the_boundaries_of_painting_in_the_americas_19581980
CATEGORIES:Arts & Humanities
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260914T053725Z
UID:tag:localist.com\,2008:EventInstance_32565185973364
DTSTART;VALUE=DATE:20200812
DESCRIPTION:In the early 20th century\, artists began exploring abstract\, 
 nonrepresentational forms for the first time and significantly changed the
  language of painting.  Several decades later\, abstraction continued to e
 volve robustly\, as its practitioners experimented with new materials and 
 techniques. Dripping\, pouring\, staining and even slinging paint became c
 ommon\, as did the use of non-traditional media such as acrylic and indust
 rial paints. Artists also challenged the flat\, rectangular format—long 
 the standard in painting—to create texture and dimensionality\, blurring
  the lines between painting and sculpture and foregrounding the object’s
  materiality.  The Blanton’s collection is particularly strong in painti
 ng of the 1960s and 70s from both the United States and Latin America.  Ex
 panding Abstraction will explore how painting was transformed in these dec
 ades.  Many of the works are large scale and have rarely been shown before
 .
GEO:30.280773;-97.737732
LOCATION:Blanton Museum of Art (BMA)
SUMMARY:Expanding Abstraction: Pushing the Boundaries of Painting in the Am
 ericas\, 1958–1980
URL;VALUE=URI:https://calendar.utexas.edu/event/expanding_abstraction_pushi
 ng_the_boundaries_of_painting_in_the_americas_19581980
CATEGORIES:Arts & Humanities
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260914T053726Z
UID:tag:localist.com\,2008:EventInstance_32565185976257
DTSTART;VALUE=DATE:20200813
DESCRIPTION:In the early 20th century\, artists began exploring abstract\, 
 nonrepresentational forms for the first time and significantly changed the
  language of painting.  Several decades later\, abstraction continued to e
 volve robustly\, as its practitioners experimented with new materials and 
 techniques. Dripping\, pouring\, staining and even slinging paint became c
 ommon\, as did the use of non-traditional media such as acrylic and indust
 rial paints. Artists also challenged the flat\, rectangular format—long 
 the standard in painting—to create texture and dimensionality\, blurring
  the lines between painting and sculpture and foregrounding the object’s
  materiality.  The Blanton’s collection is particularly strong in painti
 ng of the 1960s and 70s from both the United States and Latin America.  Ex
 panding Abstraction will explore how painting was transformed in these dec
 ades.  Many of the works are large scale and have rarely been shown before
 .
GEO:30.280773;-97.737732
LOCATION:Blanton Museum of Art (BMA)
SUMMARY:Expanding Abstraction: Pushing the Boundaries of Painting in the Am
 ericas\, 1958–1980
URL;VALUE=URI:https://calendar.utexas.edu/event/expanding_abstraction_pushi
 ng_the_boundaries_of_painting_in_the_americas_19581980
CATEGORIES:Arts & Humanities
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260914T053726Z
UID:tag:localist.com\,2008:EventInstance_32565185977151
DTSTART;VALUE=DATE:20200814
DESCRIPTION:In the early 20th century\, artists began exploring abstract\, 
 nonrepresentational forms for the first time and significantly changed the
  language of painting.  Several decades later\, abstraction continued to e
 volve robustly\, as its practitioners experimented with new materials and 
 techniques. Dripping\, pouring\, staining and even slinging paint became c
 ommon\, as did the use of non-traditional media such as acrylic and indust
 rial paints. Artists also challenged the flat\, rectangular format—long 
 the standard in painting—to create texture and dimensionality\, blurring
  the lines between painting and sculpture and foregrounding the object’s
  materiality.  The Blanton’s collection is particularly strong in painti
 ng of the 1960s and 70s from both the United States and Latin America.  Ex
 panding Abstraction will explore how painting was transformed in these dec
 ades.  Many of the works are large scale and have rarely been shown before
 .
GEO:30.280773;-97.737732
LOCATION:Blanton Museum of Art (BMA)
SUMMARY:Expanding Abstraction: Pushing the Boundaries of Painting in the Am
 ericas\, 1958–1980
URL;VALUE=URI:https://calendar.utexas.edu/event/expanding_abstraction_pushi
 ng_the_boundaries_of_painting_in_the_americas_19581980
CATEGORIES:Arts & Humanities
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260914T053726Z
UID:tag:localist.com\,2008:EventInstance_32565185977894
DTSTART;VALUE=DATE:20200815
DESCRIPTION:In the early 20th century\, artists began exploring abstract\, 
 nonrepresentational forms for the first time and significantly changed the
  language of painting.  Several decades later\, abstraction continued to e
 volve robustly\, as its practitioners experimented with new materials and 
 techniques. Dripping\, pouring\, staining and even slinging paint became c
 ommon\, as did the use of non-traditional media such as acrylic and indust
 rial paints. Artists also challenged the flat\, rectangular format—long 
 the standard in painting—to create texture and dimensionality\, blurring
  the lines between painting and sculpture and foregrounding the object’s
  materiality.  The Blanton’s collection is particularly strong in painti
 ng of the 1960s and 70s from both the United States and Latin America.  Ex
 panding Abstraction will explore how painting was transformed in these dec
 ades.  Many of the works are large scale and have rarely been shown before
 .
GEO:30.280773;-97.737732
LOCATION:Blanton Museum of Art (BMA)
SUMMARY:Expanding Abstraction: Pushing the Boundaries of Painting in the Am
 ericas\, 1958–1980
URL;VALUE=URI:https://calendar.utexas.edu/event/expanding_abstraction_pushi
 ng_the_boundaries_of_painting_in_the_americas_19581980
CATEGORIES:Arts & Humanities
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260914T053726Z
UID:tag:localist.com\,2008:EventInstance_32565185980256
DTSTART;VALUE=DATE:20200816
DESCRIPTION:In the early 20th century\, artists began exploring abstract\, 
 nonrepresentational forms for the first time and significantly changed the
  language of painting.  Several decades later\, abstraction continued to e
 volve robustly\, as its practitioners experimented with new materials and 
 techniques. Dripping\, pouring\, staining and even slinging paint became c
 ommon\, as did the use of non-traditional media such as acrylic and indust
 rial paints. Artists also challenged the flat\, rectangular format—long 
 the standard in painting—to create texture and dimensionality\, blurring
  the lines between painting and sculpture and foregrounding the object’s
  materiality.  The Blanton’s collection is particularly strong in painti
 ng of the 1960s and 70s from both the United States and Latin America.  Ex
 panding Abstraction will explore how painting was transformed in these dec
 ades.  Many of the works are large scale and have rarely been shown before
 .
GEO:30.280773;-97.737732
LOCATION:Blanton Museum of Art (BMA)
SUMMARY:Expanding Abstraction: Pushing the Boundaries of Painting in the Am
 ericas\, 1958–1980
URL;VALUE=URI:https://calendar.utexas.edu/event/expanding_abstraction_pushi
 ng_the_boundaries_of_painting_in_the_americas_19581980
CATEGORIES:Arts & Humanities
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260914T053726Z
UID:tag:localist.com\,2008:EventInstance_32565185980753
DTSTART;VALUE=DATE:20200817
DESCRIPTION:In the early 20th century\, artists began exploring abstract\, 
 nonrepresentational forms for the first time and significantly changed the
  language of painting.  Several decades later\, abstraction continued to e
 volve robustly\, as its practitioners experimented with new materials and 
 techniques. Dripping\, pouring\, staining and even slinging paint became c
 ommon\, as did the use of non-traditional media such as acrylic and indust
 rial paints. Artists also challenged the flat\, rectangular format—long 
 the standard in painting—to create texture and dimensionality\, blurring
  the lines between painting and sculpture and foregrounding the object’s
  materiality.  The Blanton’s collection is particularly strong in painti
 ng of the 1960s and 70s from both the United States and Latin America.  Ex
 panding Abstraction will explore how painting was transformed in these dec
 ades.  Many of the works are large scale and have rarely been shown before
 .
GEO:30.280773;-97.737732
LOCATION:Blanton Museum of Art (BMA)
SUMMARY:Expanding Abstraction: Pushing the Boundaries of Painting in the Am
 ericas\, 1958–1980
URL;VALUE=URI:https://calendar.utexas.edu/event/expanding_abstraction_pushi
 ng_the_boundaries_of_painting_in_the_americas_19581980
CATEGORIES:Arts & Humanities
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260914T053726Z
UID:tag:localist.com\,2008:EventInstance_32565185981780
DTSTART;VALUE=DATE:20200818
DESCRIPTION:In the early 20th century\, artists began exploring abstract\, 
 nonrepresentational forms for the first time and significantly changed the
  language of painting.  Several decades later\, abstraction continued to e
 volve robustly\, as its practitioners experimented with new materials and 
 techniques. Dripping\, pouring\, staining and even slinging paint became c
 ommon\, as did the use of non-traditional media such as acrylic and indust
 rial paints. Artists also challenged the flat\, rectangular format—long 
 the standard in painting—to create texture and dimensionality\, blurring
  the lines between painting and sculpture and foregrounding the object’s
  materiality.  The Blanton’s collection is particularly strong in painti
 ng of the 1960s and 70s from both the United States and Latin America.  Ex
 panding Abstraction will explore how painting was transformed in these dec
 ades.  Many of the works are large scale and have rarely been shown before
 .
GEO:30.280773;-97.737732
LOCATION:Blanton Museum of Art (BMA)
SUMMARY:Expanding Abstraction: Pushing the Boundaries of Painting in the Am
 ericas\, 1958–1980
URL;VALUE=URI:https://calendar.utexas.edu/event/expanding_abstraction_pushi
 ng_the_boundaries_of_painting_in_the_americas_19581980
CATEGORIES:Arts & Humanities
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260914T053726Z
UID:tag:localist.com\,2008:EventInstance_32565185984091
DTSTART;VALUE=DATE:20200819
DESCRIPTION:In the early 20th century\, artists began exploring abstract\, 
 nonrepresentational forms for the first time and significantly changed the
  language of painting.  Several decades later\, abstraction continued to e
 volve robustly\, as its practitioners experimented with new materials and 
 techniques. Dripping\, pouring\, staining and even slinging paint became c
 ommon\, as did the use of non-traditional media such as acrylic and indust
 rial paints. Artists also challenged the flat\, rectangular format—long 
 the standard in painting—to create texture and dimensionality\, blurring
  the lines between painting and sculpture and foregrounding the object’s
  materiality.  The Blanton’s collection is particularly strong in painti
 ng of the 1960s and 70s from both the United States and Latin America.  Ex
 panding Abstraction will explore how painting was transformed in these dec
 ades.  Many of the works are large scale and have rarely been shown before
 .
GEO:30.280773;-97.737732
LOCATION:Blanton Museum of Art (BMA)
SUMMARY:Expanding Abstraction: Pushing the Boundaries of Painting in the Am
 ericas\, 1958–1980
URL;VALUE=URI:https://calendar.utexas.edu/event/expanding_abstraction_pushi
 ng_the_boundaries_of_painting_in_the_americas_19581980
CATEGORIES:Arts & Humanities
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260914T053726Z
UID:tag:localist.com\,2008:EventInstance_32565185985433
DTSTART;VALUE=DATE:20200820
DESCRIPTION:In the early 20th century\, artists began exploring abstract\, 
 nonrepresentational forms for the first time and significantly changed the
  language of painting.  Several decades later\, abstraction continued to e
 volve robustly\, as its practitioners experimented with new materials and 
 techniques. Dripping\, pouring\, staining and even slinging paint became c
 ommon\, as did the use of non-traditional media such as acrylic and indust
 rial paints. Artists also challenged the flat\, rectangular format—long 
 the standard in painting—to create texture and dimensionality\, blurring
  the lines between painting and sculpture and foregrounding the object’s
  materiality.  The Blanton’s collection is particularly strong in painti
 ng of the 1960s and 70s from both the United States and Latin America.  Ex
 panding Abstraction will explore how painting was transformed in these dec
 ades.  Many of the works are large scale and have rarely been shown before
 .
GEO:30.280773;-97.737732
LOCATION:Blanton Museum of Art (BMA)
SUMMARY:Expanding Abstraction: Pushing the Boundaries of Painting in the Am
 ericas\, 1958–1980
URL;VALUE=URI:https://calendar.utexas.edu/event/expanding_abstraction_pushi
 ng_the_boundaries_of_painting_in_the_americas_19581980
CATEGORIES:Arts & Humanities
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260914T053726Z
UID:tag:localist.com\,2008:EventInstance_32565185986253
DTSTART;VALUE=DATE:20200821
DESCRIPTION:In the early 20th century\, artists began exploring abstract\, 
 nonrepresentational forms for the first time and significantly changed the
  language of painting.  Several decades later\, abstraction continued to e
 volve robustly\, as its practitioners experimented with new materials and 
 techniques. Dripping\, pouring\, staining and even slinging paint became c
 ommon\, as did the use of non-traditional media such as acrylic and indust
 rial paints. Artists also challenged the flat\, rectangular format—long 
 the standard in painting—to create texture and dimensionality\, blurring
  the lines between painting and sculpture and foregrounding the object’s
  materiality.  The Blanton’s collection is particularly strong in painti
 ng of the 1960s and 70s from both the United States and Latin America.  Ex
 panding Abstraction will explore how painting was transformed in these dec
 ades.  Many of the works are large scale and have rarely been shown before
 .
GEO:30.280773;-97.737732
LOCATION:Blanton Museum of Art (BMA)
SUMMARY:Expanding Abstraction: Pushing the Boundaries of Painting in the Am
 ericas\, 1958–1980
URL;VALUE=URI:https://calendar.utexas.edu/event/expanding_abstraction_pushi
 ng_the_boundaries_of_painting_in_the_americas_19581980
CATEGORIES:Arts & Humanities
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260914T053726Z
UID:tag:localist.com\,2008:EventInstance_32565185988446
DTSTART;VALUE=DATE:20200822
DESCRIPTION:In the early 20th century\, artists began exploring abstract\, 
 nonrepresentational forms for the first time and significantly changed the
  language of painting.  Several decades later\, abstraction continued to e
 volve robustly\, as its practitioners experimented with new materials and 
 techniques. Dripping\, pouring\, staining and even slinging paint became c
 ommon\, as did the use of non-traditional media such as acrylic and indust
 rial paints. Artists also challenged the flat\, rectangular format—long 
 the standard in painting—to create texture and dimensionality\, blurring
  the lines between painting and sculpture and foregrounding the object’s
  materiality.  The Blanton’s collection is particularly strong in painti
 ng of the 1960s and 70s from both the United States and Latin America.  Ex
 panding Abstraction will explore how painting was transformed in these dec
 ades.  Many of the works are large scale and have rarely been shown before
 .
GEO:30.280773;-97.737732
LOCATION:Blanton Museum of Art (BMA)
SUMMARY:Expanding Abstraction: Pushing the Boundaries of Painting in the Am
 ericas\, 1958–1980
URL;VALUE=URI:https://calendar.utexas.edu/event/expanding_abstraction_pushi
 ng_the_boundaries_of_painting_in_the_americas_19581980
CATEGORIES:Arts & Humanities
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260914T053726Z
UID:tag:localist.com\,2008:EventInstance_32565185988633
DTSTART;VALUE=DATE:20200823
DESCRIPTION:In the early 20th century\, artists began exploring abstract\, 
 nonrepresentational forms for the first time and significantly changed the
  language of painting.  Several decades later\, abstraction continued to e
 volve robustly\, as its practitioners experimented with new materials and 
 techniques. Dripping\, pouring\, staining and even slinging paint became c
 ommon\, as did the use of non-traditional media such as acrylic and indust
 rial paints. Artists also challenged the flat\, rectangular format—long 
 the standard in painting—to create texture and dimensionality\, blurring
  the lines between painting and sculpture and foregrounding the object’s
  materiality.  The Blanton’s collection is particularly strong in painti
 ng of the 1960s and 70s from both the United States and Latin America.  Ex
 panding Abstraction will explore how painting was transformed in these dec
 ades.  Many of the works are large scale and have rarely been shown before
 .
GEO:30.280773;-97.737732
LOCATION:Blanton Museum of Art (BMA)
SUMMARY:Expanding Abstraction: Pushing the Boundaries of Painting in the Am
 ericas\, 1958–1980
URL;VALUE=URI:https://calendar.utexas.edu/event/expanding_abstraction_pushi
 ng_the_boundaries_of_painting_in_the_americas_19581980
CATEGORIES:Arts & Humanities
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260914T053726Z
UID:tag:localist.com\,2008:EventInstance_32565185990553
DTSTART;VALUE=DATE:20200824
DESCRIPTION:In the early 20th century\, artists began exploring abstract\, 
 nonrepresentational forms for the first time and significantly changed the
  language of painting.  Several decades later\, abstraction continued to e
 volve robustly\, as its practitioners experimented with new materials and 
 techniques. Dripping\, pouring\, staining and even slinging paint became c
 ommon\, as did the use of non-traditional media such as acrylic and indust
 rial paints. Artists also challenged the flat\, rectangular format—long 
 the standard in painting—to create texture and dimensionality\, blurring
  the lines between painting and sculpture and foregrounding the object’s
  materiality.  The Blanton’s collection is particularly strong in painti
 ng of the 1960s and 70s from both the United States and Latin America.  Ex
 panding Abstraction will explore how painting was transformed in these dec
 ades.  Many of the works are large scale and have rarely been shown before
 .
GEO:30.280773;-97.737732
LOCATION:Blanton Museum of Art (BMA)
SUMMARY:Expanding Abstraction: Pushing the Boundaries of Painting in the Am
 ericas\, 1958–1980
URL;VALUE=URI:https://calendar.utexas.edu/event/expanding_abstraction_pushi
 ng_the_boundaries_of_painting_in_the_americas_19581980
CATEGORIES:Arts & Humanities
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260914T053726Z
UID:tag:localist.com\,2008:EventInstance_32565185990708
DTSTART;VALUE=DATE:20200825
DESCRIPTION:In the early 20th century\, artists began exploring abstract\, 
 nonrepresentational forms for the first time and significantly changed the
  language of painting.  Several decades later\, abstraction continued to e
 volve robustly\, as its practitioners experimented with new materials and 
 techniques. Dripping\, pouring\, staining and even slinging paint became c
 ommon\, as did the use of non-traditional media such as acrylic and indust
 rial paints. Artists also challenged the flat\, rectangular format—long 
 the standard in painting—to create texture and dimensionality\, blurring
  the lines between painting and sculpture and foregrounding the object’s
  materiality.  The Blanton’s collection is particularly strong in painti
 ng of the 1960s and 70s from both the United States and Latin America.  Ex
 panding Abstraction will explore how painting was transformed in these dec
 ades.  Many of the works are large scale and have rarely been shown before
 .
GEO:30.280773;-97.737732
LOCATION:Blanton Museum of Art (BMA)
SUMMARY:Expanding Abstraction: Pushing the Boundaries of Painting in the Am
 ericas\, 1958–1980
URL;VALUE=URI:https://calendar.utexas.edu/event/expanding_abstraction_pushi
 ng_the_boundaries_of_painting_in_the_americas_19581980
CATEGORIES:Arts & Humanities
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260914T053726Z
UID:tag:localist.com\,2008:EventInstance_32565185992234
DTSTART;VALUE=DATE:20200826
DESCRIPTION:In the early 20th century\, artists began exploring abstract\, 
 nonrepresentational forms for the first time and significantly changed the
  language of painting.  Several decades later\, abstraction continued to e
 volve robustly\, as its practitioners experimented with new materials and 
 techniques. Dripping\, pouring\, staining and even slinging paint became c
 ommon\, as did the use of non-traditional media such as acrylic and indust
 rial paints. Artists also challenged the flat\, rectangular format—long 
 the standard in painting—to create texture and dimensionality\, blurring
  the lines between painting and sculpture and foregrounding the object’s
  materiality.  The Blanton’s collection is particularly strong in painti
 ng of the 1960s and 70s from both the United States and Latin America.  Ex
 panding Abstraction will explore how painting was transformed in these dec
 ades.  Many of the works are large scale and have rarely been shown before
 .
GEO:30.280773;-97.737732
LOCATION:Blanton Museum of Art (BMA)
SUMMARY:Expanding Abstraction: Pushing the Boundaries of Painting in the Am
 ericas\, 1958–1980
URL;VALUE=URI:https://calendar.utexas.edu/event/expanding_abstraction_pushi
 ng_the_boundaries_of_painting_in_the_americas_19581980
CATEGORIES:Arts & Humanities
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260914T053726Z
UID:tag:localist.com\,2008:EventInstance_32565185994358
DTSTART;VALUE=DATE:20200827
DESCRIPTION:In the early 20th century\, artists began exploring abstract\, 
 nonrepresentational forms for the first time and significantly changed the
  language of painting.  Several decades later\, abstraction continued to e
 volve robustly\, as its practitioners experimented with new materials and 
 techniques. Dripping\, pouring\, staining and even slinging paint became c
 ommon\, as did the use of non-traditional media such as acrylic and indust
 rial paints. Artists also challenged the flat\, rectangular format—long 
 the standard in painting—to create texture and dimensionality\, blurring
  the lines between painting and sculpture and foregrounding the object’s
  materiality.  The Blanton’s collection is particularly strong in painti
 ng of the 1960s and 70s from both the United States and Latin America.  Ex
 panding Abstraction will explore how painting was transformed in these dec
 ades.  Many of the works are large scale and have rarely been shown before
 .
GEO:30.280773;-97.737732
LOCATION:Blanton Museum of Art (BMA)
SUMMARY:Expanding Abstraction: Pushing the Boundaries of Painting in the Am
 ericas\, 1958–1980
URL;VALUE=URI:https://calendar.utexas.edu/event/expanding_abstraction_pushi
 ng_the_boundaries_of_painting_in_the_americas_19581980
CATEGORIES:Arts & Humanities
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260914T053726Z
UID:tag:localist.com\,2008:EventInstance_32565185995178
DTSTART;VALUE=DATE:20200828
DESCRIPTION:In the early 20th century\, artists began exploring abstract\, 
 nonrepresentational forms for the first time and significantly changed the
  language of painting.  Several decades later\, abstraction continued to e
 volve robustly\, as its practitioners experimented with new materials and 
 techniques. Dripping\, pouring\, staining and even slinging paint became c
 ommon\, as did the use of non-traditional media such as acrylic and indust
 rial paints. Artists also challenged the flat\, rectangular format—long 
 the standard in painting—to create texture and dimensionality\, blurring
  the lines between painting and sculpture and foregrounding the object’s
  materiality.  The Blanton’s collection is particularly strong in painti
 ng of the 1960s and 70s from both the United States and Latin America.  Ex
 panding Abstraction will explore how painting was transformed in these dec
 ades.  Many of the works are large scale and have rarely been shown before
 .
GEO:30.280773;-97.737732
LOCATION:Blanton Museum of Art (BMA)
SUMMARY:Expanding Abstraction: Pushing the Boundaries of Painting in the Am
 ericas\, 1958–1980
URL;VALUE=URI:https://calendar.utexas.edu/event/expanding_abstraction_pushi
 ng_the_boundaries_of_painting_in_the_americas_19581980
CATEGORIES:Arts & Humanities
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260914T053726Z
UID:tag:localist.com\,2008:EventInstance_32565185996382
DTSTART;VALUE=DATE:20200829
DESCRIPTION:In the early 20th century\, artists began exploring abstract\, 
 nonrepresentational forms for the first time and significantly changed the
  language of painting.  Several decades later\, abstraction continued to e
 volve robustly\, as its practitioners experimented with new materials and 
 techniques. Dripping\, pouring\, staining and even slinging paint became c
 ommon\, as did the use of non-traditional media such as acrylic and indust
 rial paints. Artists also challenged the flat\, rectangular format—long 
 the standard in painting—to create texture and dimensionality\, blurring
  the lines between painting and sculpture and foregrounding the object’s
  materiality.  The Blanton’s collection is particularly strong in painti
 ng of the 1960s and 70s from both the United States and Latin America.  Ex
 panding Abstraction will explore how painting was transformed in these dec
 ades.  Many of the works are large scale and have rarely been shown before
 .
GEO:30.280773;-97.737732
LOCATION:Blanton Museum of Art (BMA)
SUMMARY:Expanding Abstraction: Pushing the Boundaries of Painting in the Am
 ericas\, 1958–1980
URL;VALUE=URI:https://calendar.utexas.edu/event/expanding_abstraction_pushi
 ng_the_boundaries_of_painting_in_the_americas_19581980
CATEGORIES:Arts & Humanities
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260914T053726Z
UID:tag:localist.com\,2008:EventInstance_32565185997146
DTSTART;VALUE=DATE:20200830
DESCRIPTION:In the early 20th century\, artists began exploring abstract\, 
 nonrepresentational forms for the first time and significantly changed the
  language of painting.  Several decades later\, abstraction continued to e
 volve robustly\, as its practitioners experimented with new materials and 
 techniques. Dripping\, pouring\, staining and even slinging paint became c
 ommon\, as did the use of non-traditional media such as acrylic and indust
 rial paints. Artists also challenged the flat\, rectangular format—long 
 the standard in painting—to create texture and dimensionality\, blurring
  the lines between painting and sculpture and foregrounding the object’s
  materiality.  The Blanton’s collection is particularly strong in painti
 ng of the 1960s and 70s from both the United States and Latin America.  Ex
 panding Abstraction will explore how painting was transformed in these dec
 ades.  Many of the works are large scale and have rarely been shown before
 .
GEO:30.280773;-97.737732
LOCATION:Blanton Museum of Art (BMA)
SUMMARY:Expanding Abstraction: Pushing the Boundaries of Painting in the Am
 ericas\, 1958–1980
URL;VALUE=URI:https://calendar.utexas.edu/event/expanding_abstraction_pushi
 ng_the_boundaries_of_painting_in_the_americas_19581980
CATEGORIES:Arts & Humanities
END:VEVENT
END:VCALENDAR